[Verse 1] Door locked Lip gloss on his mouth Kitchen light off We’re headed to the couch Hands on my hips He’s tugging on my dress Neck on fire He’s kissing every breath Slow grind I’m riding on his leg Say my name He’s pulling on my waist I’m talking filthy Soft in his ear He bites his smile Says, “bring that body here” (come here) [Chorus] Late night, lay me down, just us two I want every single thing that you do Tell me “don’t run,” make me confess You’re my favorite kind of wrong in this bed Take your time, take control of my moves Every touch making all of me loose Leave your mark on my neck, on my chest You’re my favorite kind of sin, I’m your mess (oh yeah) [Verse 2] Face to the pillow He takes his time Fingers on my spine Tracing every line He lifts me up Eyes locked, slow stare Says, “right here, right now I want all of you bare” I scratch his back While he holds my throat Little bit rough But he knows my code Whispers, “you good?” I answer with a shake Then I ride it deeper Till the whole bed shakes (hey) [Chorus] Late night, lay me down, just us two I want every single thing that you do Tell me “don’t run,” make me confess You’re my favorite kind of wrong in this bed Take your time, take control of my moves Every touch making all of me loose Leave your mark on my neck, on my chest You’re my favorite kind of sin, I’m your mess (ooh) [Bridge] Lights low Sweat on my skin He goes again I pull him back in Say you’re mine Say it again slow Till I fall apart And you watch me unfold [Chorus] Late night, lay me down, just us two I want every single thing that you do Tell me “don’t run,” make me confess You’re my favorite kind of wrong in this bed Take your time, take control of my moves Every touch making all of me loose Leave your mark on my neck, on my chest You’re my favorite kind of sin, I’m your mess

rap, Slow, heavy trap groove with hard 808 bass and crisp hats, velvety keys in the background. Male vocals, low and intimate, verses almost whispered then opening into a sultry, melodic hook with stacked harmonies. Sub-bass swells on the chorus, subtle moans and breathy ad-libs tucked deep in the mix. Spacey reverbs and filtered delay to keep everything dark, wet, and late-night., romantic, seductive

Midnight On Your Skin