Catedral de Tierra extra

(for female voice + organ, C minor, ~55 BPM, )(cathedral reverb)

(Ground bass) (pedal, repeat throughout – 8 bars):

C – G – Eb – Bb – F – C – G – C

(low 16’+8’ principals, thunderous)

(Voice entry) (after 2 cycles, soft throat-singing):

aahhh-oooohhh… (overtones, low growl to high sigh)

(hold multiphonics on each ground note)

(Mid build cycles 5–12):

(voice layers chest resonance + bird whistles)

oooh-oooahhh-eeeeeeoaooeee… (Slavic-style, rising with organ arpeggios)

(add faint coloratura fragments echoing BWV 582 subject)

(Climax cycles 13–18, full organ – reeds + mixtures):

(high operatic soar + guttural undertones)

AHHH-OOOHOooeeeapoaaoohaor-EEE-GRRR… (sustained multiphonics over Cmin → Ebmaj → Cmin chords)

(voice peaks on high C, then descends in overtones)Ahoo-ooooohoaEe-grrrsoorahhoooaooo

(Fade cycles 19–20+):

(solo pedal ground returns)

(voice whispers fading earth calls)ooooaaoaooao..anaosoooaohoonao

oooh… ahh… (like wind through stone)