Catedral de Tierra extra

(for female voice + organ, C minor, ~55 BPM, )(cathedral reverb)
(Ground bass) (pedal, repeat throughout – 8 bars):
C – G – Eb – Bb – F – C – G – C
(low 16’+8’ principals, thunderous)
(Voice entry) (after 2 cycles, soft throat-singing):
aahhh-oooohhh… (overtones, low growl to high sigh)
(hold multiphonics on each ground note)
(Mid build cycles 5–12):
(voice layers chest resonance + bird whistles)
oooh-oooahhh-eeeeeeoaooeee… (Slavic-style, rising with organ arpeggios)
(add faint coloratura fragments echoing BWV 582 subject)
(Climax cycles 13–18, full organ – reeds + mixtures):
(high operatic soar + guttural undertones)
AHHH-OOOHOooeeeapoaaoohaor-EEE-GRRR… (sustained multiphonics over Cmin → Ebmaj → Cmin chords)
(voice peaks on high C, then descends in overtones)Ahoo-ooooohoaEe-grrrsoorahhoooaooo
(Fade cycles 19–20+):
(solo pedal ground returns)
(voice whispers fading earth calls)ooooaaoaooao..anaosoooaohoonao
oooh… ahh… (like wind through stone)

Elle king , The Müller organ