33

(Verse 1-Versatile trap rap flow/ Ride the beat) 
Thirty-three vertebrae, but they twist it—Scottish Rite crown, double eagle stares.
Lamed-Bet-Aleph, thirty-three in Hebrew—fall low, mourn, sink… they flip it to power, no tears.
Gimel-gimel, give-give, but theirs is veiled—secrets in aprons, 33rd degree, elite air.
From Christ at thirty-three to their “illumination,” code cracked, but only for the chosen pair.
(Chorus—let it haunt)
Thirty-three, thirty-three—ladder up, but locked tight,
Gematria glows, Freemason night.
Wisdom’s gate, double-headed flight—
Thirty-three… they own the light.
Bridge (build slow—synths creep, hi-hats tick like a compass)
Sh’loshim u-sh’loshah… spine’s the map, but theirs is the throne—
From “Abiy-Albown,” father of stone, to their eagle throne.
No compassion here—just mastery, control…
The code’s alive, it’s pulling you in…
(Verse 2-Versatile)
Trinity times eleven, master number flex—
Their 33rd pin gleams, “Deus Meumque Jus,” gods and justice, hex.
Hod’s beauty, gal’s wave—thirty-three letters, Torah hums low,
But Masons stack it: enlightenment’s their show.
Kundalini rise, thirty-three coils—same spine, different game.
They guard the fire… while the world stays lame.
(Verse 4 (long, steady flow—dark synths pulse, voice low and rhythmic like you’re reading from a hidden ledger)
They stamp thirty-three on the calendar like it’s their seal—
JFK, November twenty-two, Dealey Plaza wheel—
Dallas sits smack on the thirty-third parallel, latitude line,
Masonic map drawn, king-kill ritual, divine.
Three shots ring—thirty-three vertebrae snap in the spine,
Oswald’s the patsy, but the eagle’s watching, double-head shine.
Flight one-oh-one, or wait—nine-eleven towers drop,
Thirty-three floors high in the blueprint, they say, non-stop.
American Airlines eleven, United seventy-seven—add ‘em, thirty-three,
Pentagon hit at nine-thirty-three, clock ticks, mystery.
World Trade Center seven—forty-seven stories, but wait—
Collapse at five-twenty, five plus twenty equals twenty-five, nah—
They weave it subtle: thirty-three seconds between impacts,
Or the date—nine-eleven, nine plus eleven’s twenty, but flip it back—
Thirty-three’s the echo, the synch, the “coincidence” stack.
Laguna Beach fires, thirty-three miles out—
Or Oklahoma blast, thirty-three casualties, doubt?
Even Denver airport murals, underground vaults—
Runways shaped like swastika, but hey—thirty-three gates, assault.
They don’t just wear the pin, they script the scene—
Assassinations, crashes, wars—thirty-three’s the mean.
From Christ’s cross at thirty-three to their “enlightened” throne,
They hijack the code, turn compassion to control, alone.
Gematria whispers—sh’loshim u-sh’loshah, pure light—
But in their hands? Power play, midnight rite.
So next time you see thirty-three on a headline flash—
Ask: who’s counting? Who’s cashing the ash?
(Outro (fade, echo on the last line)
Thirty-three… thirty-three…
Not random.
Not holy.
Their signature 
Wake up

Male versatile trap rap with melodic Adlibs