PrinceShawn
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Ghost Life
This track presents a dark fusion of country-trap and horrorcore, combining traditional female rock vocals with accelerated, deep male rock voices, growling chants, and a tuned-down baritone guitar, alongside a stomp-clap snare and distorted 808 bass. The production employs plate reverb and tape saturation to craft a minor key anthem featuring a steady four-on-the-floor kick drum pattern paired with a halftime trap rhythm. The overall soundscape includes the heavy stomp of boots, a powerful kick drum, distorted slide guitar, mournful pedal steel, and industrial percussion elements, all contributing to a bluesy noir mood set at 98 beats per minute. Complementing this are clean electric guitar tones and minor-key piano, which introduce gentle string-like textures and slow drum patterns that evoke a sense of intimacy and vulnerability. The musical style transitions from serene moments to intense, brutal passages, conveying a raw, primal longing alongside themes of spiritual decay.
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Blacked Out Predator (Expicit)
female vocals industrial rap high energy aggresive gritty overdriven synth bass syncopated 4/4 with palm-muted verse riffs dark phonik heavy distorted 808 bass 4/4 while driving on the floor kick deep bass drum breaks dark wave
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Empty Life
industrial country-trap, horrorcore, 98 BPM, male growl chant, crowd shout chorus, tuned-down baritone guitar, stomp-clap snare, distorted 808 sub-bass, resonator guitar licks, slide guitar breaks, sampler voices, police scanner intro, plate reverb, tape saturation, minor key anthem, four-on-the-floor kick, halftime trap groove
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October Comes Again
Dark Southern Gothic style featuring rough male baritone vocals accompanied by eerie children's choir ad-libs, the sound of stomping boots, and a rhythmic, pounding kick drum. The music incorporates distorted slide guitar and mournful pedal steel, combined with industrial percussion to create a bluesy noir atmosphere in a minor key at 75 BPM. The overall tone is raw, bleak, and filled with a sense of doomed melancholic romantic tragedy. Clean electric guitar and minor-key piano add gentle strings and slow, reverberating drums that evoke intimacy and vulnerability. The dark country vibe is enhanced by somber piano and swelling strings, with drop-tuned guitars and heavy drums shifting dynamically from seductive calmness to wild brutality. This sound embodies raw, primal desire and spiritual decay, delivering a cinematic experience that captures deep emotional contrasts.
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Carnival of the Damned (Country Mix)
A gravelly and powerful male baritone, gritty "silk-and-sandpaper" vocals, raw and soulful delivery, Modern 90s-inspired country, neo-traditional country rock, distorted electric guitars mixed with acoustic strumming, prominent fiddle and steel guitar, driving drum beats, Authentic, anthemic, blue-collar, down-to-earth, high-energy storytelling
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Hardwired Heat
a raw visceral fusion of swamp country rap and southern gothic trap think a guttural whiskey roughened growl like a man who s spent too many nights in backroom dive bars with a voice like gravel and honey mixed with the punctuated rhythm of a backwoods preacher s sermon but where the sermon is about sin sweat and the kind of pleasure that leaves a woman s voice hoarse and a man s hands shaking the beat is dripping with menace a slow sludgy 808 bassline that throbs like a heartbeat spiked with twangy steel guitar harmonics think a cross between Country, Outlaw Country, Bakersfield Sound s wail and a trap snare s crack and deep reverb drenched hi hats that sound like raindrops hitting a rusted tin roof the vocals swing between snarling half spoken growl like a man who s just been told his favorite vice is about to get much better a sing song almost mocking drawl when the women respond sweet as poisoned honey sudden guttural shouts when the action gets real
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"Neon Tides & Steel Dicks (A Yacht Bash in Miami Bay)"
(Country Rap/Rock Fusion – Think Chris Stapleton meets Lil Nas X, with a splash of OutKast’s funk and Willie Nelson’s swagger) Style Notes: Country Rock Chorus: Big, twangy guitars (think Zac Brown Band meets The Black Keys), harmonica wails, and a fiddle scraping like it’s begging for mercy. Country Rap Verses: Flow like Lil Nas X but with Johnny Cash’s gravel, ad-libs like “Damn, girl, your pussy’s got a zip code!” and internal rhymes that sound like a mechanic’s manual for sin. Bridge: Pure OutKast energy—spoken-word futurism over a telecaster riff, then a beat drop into the last chorus. Vibe: Imagine Morgan Wallen and Tyler, The Creator colliding in a key west dive bar after a monsoon. Glitter, sweat, and the ocean’s salty laughter.
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Renting My Ruin
Unapologetic, explicit hardcore rap. Merging the venomous anger of Ice Cube's "No Vaseline" with the soulful, agonizing street-grit of Kevin Gates' "Satellites." The beat creeps at a sinister 75 BPM. Sub-bass vibrations hit the ribs like a sledgehammer. Scattered, warped piano loops sound ripped straight from a slasher flick. Snares crack like gunfire. Hi-hats are scarce, utilized strictly for rhythmic suspense. The vocal performance is a dual-persona masterclass: Persona Alpha delivers a cold, articulate, and ruthless baritone filled with disgust. Persona Beta brings a Southern-fried, raspy cadence, singing through the pain with explosive, unfiltered ad-libs ("Bitch!", "Fuck!"). Zero melodic hooks. The mix is purposely unpolished and dry, pushing the vocals so far up front it feels like a physical threat. The overall mood is suffocating, volatile, and strictly R-rated.
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Oh, Don't Ask Why?
1920's female buresque speakeasy vocalist and a damp basement beneath a collapsed Alabama chapel, 1932: candlelight flickers on mildew-streaked walls. A voice, low and frayed like old rope, whispers and sings in a cracked 78rpm whisper — no jazz, only sorrow: a wheezing accordion drones a D minor–E flat tritone; a rusted musical saw keens like a trapped bird, bowed with slow, uneven tension; a slack-string bass thuds like wood on earth, not pitch—just impact. No drums, only the creak of a floorboard, a drip in the dark, a clock ticking backward. The piano is missing keys—just wood and nails—its notes struck like knuckles on a door. Tempo: 50 BPM. Breath before each line, like a man saying his last prayer. Distortion from a warped shellac disc. Fade on a saw note dissolving into silence, then one final tick—backward, hollow, done.
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Don't Say Goodbye
A slow, emotional rock duet with deep male vocals and haunting female vocals alternating verses in raw, dramatic style. They expose toxic pain directly without poetry. Harmonized choruses blend in desperate unity as they cling to the love destroying them. Moody atmosphere with clean electric guitar, minor piano, soft strings, and echoing drums. The track builds from quiet confession to explosive choruses, ending in a fragile, unresolved outro of two broken lovers unable to stay or leave.
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Until We Shake
Aggressive, rapid-fire rap verses exposing lies with explicit fury, alternating with deep, breathy rock choruses defending delusions. Include a slow, spoken news-style intro and outro, with a bridge addressing societal ignorance and racial divides punctuated by pounding bass drops. Integrate a melancholic rock duet featuring a haunting male and female vocal pairing; trading verses, merging into harmonized choruses, and supported by clean electric guitar, minor-key piano, soft strings, and echoing drums. The narrative depicts a tragic, final farewell between two broken lovers, shifting from seductive intimacy to unhinged, primal brutality underscored by drop-tuned guitars and heavy, rhythmic percussion.
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HR
Industrial Gothic Swamp-Metal • Solo female lead • No male vocals • Slide guitar + distorted 808s • Slow Southern stoner drawl in verses • melodic screaming chorus • 6-minute runtime][Intro (haunting breath, whisper-drenched, humid low drone) industrial goth metal a high drama industrial goth metal soundscape with detuned chugging six string drones like early Industrial Metal, Alternative Metal, Neue Deutsche Härte meets industrial rock, alternative rock, electronic rock, experimental rock, industrial metal cinematic orchestral stabs cellos dissonant strings and a pulse pounding industrial techno undercurrent shifts between eerie whispered verses breathy confessional seductive explosive melodic but aggressive layered with distortion and vocal harmonies and feral raspy screams with fetish and the thrill of getting caught and liking it tone theatrical fetishistic unapologetically filthy.
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Bills Paid, Legs Closed
hard-hitting gangsta rap, raw aggressive male vocal, deep gritty voice, heavy bass, menacing beats, intense delivery, West Coast bounce mixed with Southern raw emotion, no clean vocals, explicit throughout, dark and confrontational, 5-minute runtime
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Until We Wake
A slow, emotional rock duet Deep male vocals and haunting female vocals share the song in alternating verses and harmonized choruses, The mood is melancholic, romantic, and tragic, Instrumentation should include clean electric guitar, minor-key piano, soft strings, and slow, echoing drums, The song should feel like a final goodbye between two broken lovers who can’t live with or without each other, Intimate, slow, and vulnerable — full of emotional gravity and tension, Use dark piano, string swells, drop-tuned guitars, and heavy drums, Vocal tone should shift from seductive and calm to unhinged and brutal, The song’s theme is explicit, primal, and spiritual decay, Gritty, raw, sexual, and violent — a seduction through
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Secerets Within
"A gothic metalcore nightmare—crushing, melodic, and dripping with agony. Downtuned guitars, eerie synths, and punishing breakdowns—think a storm of darkness and despair. Vocals alternate between guttural screams and haunting, soaring highs, like a ghost howling from the abyss. Lyrics are raw, poetic, and full of torment—no weak lines, just pure, unrelenting pain. The production is dense and immersive, with orchestral swells and industrial textures that drag you into the hellscape."
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Time Doesn't Heal
A musical style rooted in dark emotional ambient outlaw country, defined by a gritty, DIY aesthetic and horror, sad, agonizingly transgressive themes. Vocals focus on macabre, unsettling, and surreal realistic emotional loss and horror, delivered with a raw, aggressive, and intense vocal style. Moody, hard-hitting, and low-fidelity beats create a dark, claustrophobic atmosphere designed to evoke feelings of anxiety, reflecting influences from horror films and stories. Background erie musical scoring to achieve a feeling of discomfort and connection to the track.
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THE UNSEEN TERRORS
A nursery rhyme style rooted in horrorcore and death rap, defined by a gritty, DIY aesthetic and dark, transgressive themes, Female lead lyrics focus on macabre, unsettling, and surreal horror, delivered with a raw, aggressive, and intense vocal style, Moody, hard-hitting, and low-fidelity beats create a dark, claustrophobic atmosphere designed to evoke feelings of anxiety, reflecting influences from horror films and rap-metal and industrial metal, Every Verse, change the female voice and vocal style, the music will get faster as it progresses
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Drama onthe Porch
Theatrical Country-Rap fusion, 105 BPM, featuring a structured sequence: alternating spoken intro, followed by a hard-hitting Female Rap lead in Verse 1, then a gravelly Male Country response. Deep 808 sub-bass meets rhythmic banjo and acoustic guitar, with a hard silence/stop for the mid-song dialogue. A narrative story of domestic conflict and musical compromise, utilizing direct dialogue and ad-libbed echoes to drive the "Drama Dept" theme. Dual-vocal duet: Sharp, rhythmic Female Rap and soulful, gravelly Male Country singing. English vocals.
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