ChristianHenning

My life in song.

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It shouldn’t matter

Alternative like everclear with driving guitar solos. Lead vocals like Ian Astbury. Good drum groove. The man is healing

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Til death tears us apart

Sex Pistols style. Black flag. Suicidal tendencies. Give me some 80s punk!

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rock, Early 90s grunge / alternative rock: fuzzy rhythm guitars, roomy live drums, male vocals raw and slightly overdriven. Verses sit in a laid-back, grimy groove; choruses slam with doubled power-chords and stacked shouts. Mid-song guitar solo drenched in wah and feedback, with vocal breaks where the band rides the riff. Wide, saturated mix, bass glued to the kick, cymbals splashing hard in the hook., grunge, vocal, alternative rock, breaks, hard rock

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Roommate 9

Building emotional pop rock, quiet guitar intro, layered rhythm section, driving 80s drums, catchy hook, warm male vox

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Roommate 8

Building emotional pop rock, quiet guitar intro, layered rhythm section, driving 80s drums, soaring hook, warm male vox

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Ghost Mode 5

92 BPM harder post punk. Tribal drive, gritty electric guitar w/ chorus-phaser, punchy riffs, raw solos—no pop gloss.

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Pictures Of You

Moody post-punk, chorus guitars, melodic bass, airy synth pads, tom-driven drums, lush reverb, melancholic 80s atmospher

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Roommate v3

heartbreak blues with warm Strat tone, slow groove, soulful solos, soft organ pads, intimate male vocal, song builds.

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Roommate v2

Moody heartbreak blues with warm Strat tone, slow groove, soulful bends, soft organ pads, intimate male vocal, late-nigh

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They don’t mean what they say (but they mean it) v3

The Cult like groove, pulsing circular bass, hypnotic drums, Ian Astbury vocals, moody reverb guitars, keyboards

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It shouldn’t matter v3

92 BPM harder funk-rock. Tribal drive, gritty electric guitar w/ chorus-phaser, punchy riffs, raw solos—no pop gloss.

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Midnight Skin

funk, Dark, circling rock groove with pulsing bass and hypnotic tom-heavy drums, moody reverb-soaked guitars weaving around droning keys; male vocals channel a ritualistic, Ian Astbury–meets-Doors mystic intensity. Verses smolder on a tight, locked-in riff, pre-chorus tensions swell with organ swells and tambourine, and the chorus explodes wider with stacked baritone chants. Subtle psych textures and echo tails keep everything swirling and sensual., hypnotic, moody

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Midnight Skin

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Desert Laughing Ritual

funk, Hypnotic cult-groove, male vocals. Circular, loping bassline and tom-heavy drums build a trancey pocket; shimmery, tremolo guitars weave in reverb-soaked arpeggios. Verses stay close and conspiratorial, almost spoken; choruses open into layered chant harmonies and call-and-response ad-libs. Subtle analog synth swells creep in by the bridge, then everything strips to bass, hand percussion, and vocal mantra for a final, dizzy loop., hypnotic, seductive

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Ashes On Their Tongues

rock, Hypnotic goth rock in the vein of classic cult records: circular, droning bass loop driving the whole track, tom-heavy tribal drums, and huge overdriven guitars that bloom in the choruses. Male vocals in an Ian Astbury–style baritone, reverb-drenched and incantatory. Verses chant over a locked groove; chorus explodes with stacked gang shouts and open chords. Bridge strips back to bass, floor tom, and vocal mantra before a final, towering chorus., hypnotic, empowering

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I Am Burning

rock, Hypnotic dark rock mantra. Mid-tempo tribal groove with circular bass, tom-led drums, and cavernous reverb guitars pulsing on a single droning center. Male vocals: gritty, half-chanted verses that stalk forward; chorus opens the throat into ragged, spiritual wail with stacked, ghostly harmonies. Subtle organ pad swells under big moments, low-end stays heavy and hypnotic., vocal, hypnotic, trance

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GOOD

rock, Hypnotic dark alt-rock with a steady tom-driven pulse, circular bass line, and reverb-drenched guitars that bloom into heavy, open chords on the hook. Male vocals: gritty, haunted, sitting right on the edge of a rasp. Verses stay low and mantra-like; chorus lifts with stacked harmonies and a wider stereo field. Guitars swell and decay in long tails, with occasional feedback howls between sections. Final chorus rides a thick wall of sound before dropping to a single bass-and-voice outro., hypnotic, steady, vocal

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Halfway To Heaven

rock, Hypnotic dark rock with a circular, slightly overdriven bass line locked to tom-heavy drums; guitars washed in long, eerie reverb and occasional feedback swells. Male vocals, raw and gritty, sit upfront with a trance-like delivery that opens into ragged, pleading wails on the hook. Verses ride a mid-tempo groove, drums and bass pulsing like a ritual; choruses bloom with stacked, distant harmonies and octave guitars underscoring the grief. Bridge strips to bass, floor toms, and voice before a final, cathartic full-band crash., trance, hypnotic, vocal

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Ghost Mode OG

West Coast G-funk, laid-back daytime vibe, 96 BPM, deep sine bass, crisp kicks/snare, whiny synth leads, smooth swing

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Liquid Demon

funk, west coast g-funk, laid-back daytime vibe, 92 bpm, deep sine bass, crisp kicks/snare, whiny synth leads, smooth swing. male vocals with a conversational yet haunting delivery. atmospheric pads add depth, while the synth leads create a hypnotic melody that mirrors the theme of temptation., smooth, swing, deep