ByteBaddi3
Musical Diary ❤️
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Ashes in the Drawer
Alt-pop ballad with two female vocalists, slow pulse and drifting piano; verse one stays close and fragile, verse two answers in harmony, pre-chorus narrows to breathy doubles, chorus opens into stacked thirds with long delay throws on the last word. Final chorus adds soft crowd-like harmonies, a reversed swell into the downbeat, and a warm sub pulse. Intimate close-mic mix, glossy but aching., beautiful, pop, ballad
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Ashes in the Drawer
Alt-pop ballad with two female vocalists, slow pulse and drifting piano; verse one stays close and fragile, verse two answers in harmony, pre-chorus narrows to breathy doubles, chorus opens into stacked thirds with long delay throws on the last word. Final chorus adds soft crowd-like harmonies, a reversed swell into the downbeat, and a warm sub pulse. Intimate close-mic mix, glossy but aching., beautiful, pop, ballad
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Empty Shoes
Acoustic ballad with two female vocalists, slow 6/8 sway and fingerpicked guitar, cello under the verses and a soft piano bed that opens in the chorus; verse one stays intimate and close-mic, verse two adds breathy harmony and a low drum pulse, pre-chorus lifts with stacked thirds and a rising string line, chorus lands wider with both voices in unison then splitting on the last word. Gentle room reverb, delayed harmony tails, a broken music-box chime between sections, and a warm, intimate mix that blooms into grief., ballad, sad, acoustic
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Empty Shoes
Acoustic ballad with two female vocalists, slow 6/8 sway and fingerpicked guitar, cello under the verses and a soft piano bed that opens in the chorus; verse one stays intimate and close-mic, verse two adds breathy harmony and a low drum pulse, pre-chorus lifts with stacked thirds and a rising string line, chorus lands wider with both voices in unison then splitting on the last word. Gentle room reverb, delayed harmony tails, a broken music-box chime between sections, and a warm, intimate mix that blooms into grief., ballad, sad, acoustic
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Empty Chairs
Slow heartbroken power ballad with female vocals, built on piano arpeggios, low string swells, and a restrained snare that enters late; verse stays intimate and sparse, pre-chorus opens with rising pads and harmony lifts, chorus blooms into full drums and choir-like doubles. Breathy close-mic verses, aching belt on hooks, delay throws on the last word of each refrain, a bowed-cello swell and distant reverse-piano transition into the final chorus. Wide, cinematic, and raw in the mix., ballad, slow
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Empty Chairs
Slow heartbroken power ballad with female vocals, built on piano arpeggios, low string swells, and a restrained snare that enters late; verse stays intimate and sparse, pre-chorus opens with rising pads and harmony lifts, chorus blooms into full drums and choir-like doubles. Breathy close-mic verses, aching belt on hooks, delay throws on the last word of each refrain, a bowed-cello swell and distant reverse-piano transition into the final chorus. Wide, cinematic, and raw in the mix., ballad, slow
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Left On The Shore
Alternative rock ballad with Celtic rock lift and dream-pop haze, mid-tempo and swaying in 6/8. Verse stays bare with fingerpicked guitar, low toms, and a lone tin-whistle answer; pre-chorus opens with stacked harmonies and rising drums; chorus blooms with chiming electrics and crushed cymbals. Female vocals close-mic in verses, wide doubles on hooks, aching ad-libs. Airy reverb tails, reversed swells, and a final whistle coda; warm, cinematic, and fragile., celtic rock, ballad, emotional, alternative rock, dream pop
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Left On The Shore
Alternative rock ballad with Celtic rock lift and dream-pop haze, mid-tempo and swaying in 6/8. Verse stays bare with fingerpicked guitar, low toms, and a lone tin-whistle answer; pre-chorus opens with stacked harmonies and rising drums; chorus blooms with chiming electrics and crushed cymbals. Female vocals close-mic in verses, wide doubles on hooks, aching ad-libs. Airy reverb tails, reversed swells, and a final whistle coda; warm, cinematic, and fragile., celtic rock, ballad, emotional, alternative rock, dream pop
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Glass Girl
Alt pop ballad with slow pulse and intimate half-time drums, muted piano figure, dark sub bass, and shimmering synth pads; verse stays close and sparse, pre-chorus opens with rising harmony stacks, chorus widens with layered doubles and a ghostly top-line. Female vocals, breathy and cracked in the verses, fuller on the hook with soft ad-libs and delay throws. Ear candy: reversed swell into the pre, a glassy bell chime before each chorus, and a final lift with filtered pads. Mix is dark, glossy, and close-mic, pop, ballad, female vocals
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Glass Girl
Alt pop ballad with slow pulse and intimate half-time drums, muted piano figure, dark sub bass, and shimmering synth pads; verse stays close and sparse, pre-chorus opens with rising harmony stacks, chorus widens with layered doubles and a ghostly top-line. Female vocals, breathy and cracked in the verses, fuller on the hook with soft ad-libs and delay throws. Ear candy: reversed swell into the pre, a glassy bell chime before each chorus, and a final lift with filtered pads. Mix is dark, glossy, and close-mic, pop, ballad, female vocals
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Empty Bed
Emotional ballad, slow 6/8 sway, sparse piano and brushed drums in the verses, string swell and warm upright bass in the chorus, intimate close-mic female vocal with fragile doubles on key lines, delayed harmony tails on the title phrase, a cello rise before the final chorus, wide and cinematic but still raw and close, ballad
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Empty Bed
Emotional ballad, slow 6/8 sway, sparse piano and brushed drums in the verses, string swell and warm upright bass in the chorus, intimate close-mic female vocal with fragile doubles on key lines, delayed harmony tails on the title phrase, a cello rise before the final chorus, wide and cinematic but still raw and close, ballad
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Tyler’s Empty Hoodie
Alt-pop ballad with slow pulse, fingerpicked guitar, soft sub-bass, and restrained kick; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and a rising synth bed, chorus blooms with wide pads and aching doubles on the title phrase. Use reversed swells into the chorus, vinyl crackle between lines, and a final lift with ghostly oohs and a trembling piano tag. Mix is warm, glossy, and heartbreak-close., ballad, pop
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Tyler’s Empty Hoodie
Alt-pop ballad with slow pulse, fingerpicked guitar, soft sub-bass, and restrained kick; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and a rising synth bed, chorus blooms with wide pads and aching doubles on the title phrase. Use reversed swells into the chorus, vinyl crackle between lines, and a final lift with ghostly oohs and a trembling piano tag. Mix is warm, glossy, and heartbreak-close., ballad, pop
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Room By The Door
Alt-pop ballad with slow pulsing kick, sparse piano, soft glitch pads, and a swelling string bed; verse stays intimate and close-mic, pre-chorus lifts with stacked breaths and filtered risers, chorus opens wide with layered harmonies and a high aching lead. Add tiny reverse swells, distant clock ticks, and a final half-time drop before the last chorus. Glossy but wounded mix, bright top end, huge emotional center., ballad, pop
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Room By The Door
Alt-pop ballad with slow pulsing kick, sparse piano, soft glitch pads, and a swelling string bed; verse stays intimate and close-mic, pre-chorus lifts with stacked breaths and filtered risers, chorus opens wide with layered harmonies and a high aching lead. Add tiny reverse swells, distant clock ticks, and a final half-time drop before the last chorus. Glossy but wounded mix, bright top end, huge emotional center., ballad, pop
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Backseat Ashes
Indie rock, mid-tempo with driving muted guitars and steady kick-snare pulse; verse rides dry and intimate, pre-chorus opens with bass climb and vocal strain, chorus lands wider with ringing guitars and harmony doubles. Bridge drops to half-time with sparse toms and a breathy lead before the final chorus surges. Close-mic female vocals, cracked doubles on the hook, delayed ad-libs at line ends, tape hiss and amp bloom into transitions, bright-leaning mix with raw edge., indie rock
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Backseat Ashes
Indie rock, mid-tempo with driving muted guitars and steady kick-snare pulse; verse rides dry and intimate, pre-chorus opens with bass climb and vocal strain, chorus lands wider with ringing guitars and harmony doubles. Bridge drops to half-time with sparse toms and a breathy lead before the final chorus surges. Close-mic female vocals, cracked doubles on the hook, delayed ad-libs at line ends, tape hiss and amp bloom into transitions, bright-leaning mix with raw edge., indie rock
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Empty Chair in June
Alt-rock with driving mid-tempo drums, jagged muted guitars in verses, and a wide, aching chorus that opens into ringing power chords; verse rides tight and restrained, pre-chorus climbs with toms and bass tension, chorus breaks into stacked harmonies and a shouted last line. Close-mic female vocal, cracked doubles on key phrases, delay throws on the hook. Tape hiss, reverse cymbal lifts, and a final guitar swell into silence. Bright, raw, and bruised, rock
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Empty Chair in June
Alt-rock with driving mid-tempo drums, jagged muted guitars in verses, and a wide, aching chorus that opens into ringing power chords; verse rides tight and restrained, pre-chorus climbs with toms and bass tension, chorus breaks into stacked harmonies and a shouted last line. Close-mic female vocal, cracked doubles on key phrases, delay throws on the hook. Tape hiss, reverse cymbal lifts, and a final guitar swell into silence. Bright, raw, and bruised, rock
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Empty Room
Alt-pop ballad with slow 6/8 sway, fingerpicked electric guitar, muted piano, and a soft kick pulse; verse stays close-mic and fragile, pre-chorus lifts with stacked breaths and a rising pad, chorus opens into wide harmony and a trembling lead octave. Add tape hiss, a reversed swell into each chorus, and a final key-change glow. Mix is intimate, glossy, and heavy with reverb tails.
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Empty Room
Alt-pop ballad with slow 6/8 sway, fingerpicked electric guitar, muted piano, and a soft kick pulse; verse stays close-mic and fragile, pre-chorus lifts with stacked breaths and a rising pad, chorus opens into wide harmony and a trembling lead octave. Add tape hiss, a reversed swell into each chorus, and a final key-change glow. Mix is intimate, glossy, and heavy with reverb tails.
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Needle Rain Motel
Rock, slow-burn alt-rock with bruised half-time drums, gritty palm-muted guitars in verses, a pre-chorus that opens into ringing chords, and a chorus that slams with stacked harmonies and snare cracks. Close-mic female vocal, raspy doubles on key lines, echo throws on the hook, tape hiss and amp hum between phrases, final chorus widens with crashing cymbals and a broken-string lead., rock
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Needle Rain Motel
Rock, slow-burn alt-rock with bruised half-time drums, gritty palm-muted guitars in verses, a pre-chorus that opens into ringing chords, and a chorus that slams with stacked harmonies and snare cracks. Close-mic female vocal, raspy doubles on key lines, echo throws on the hook, tape hiss and amp hum between phrases, final chorus widens with crashing cymbals and a broken-string lead., rock
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