BryanBoulet
Playing around making good tunes 👌
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Back Lane Run
Fast hip-hop with tense boom-bap bounce at a breakneck tempo, snapped kick-snare, siren-like synth stabs, and skittering hi-hats; verse rides tight rhymes over stripped drums and bass, pre-chorus opens with rising siren accents and doubled shouts, chorus hits with gang vocals and a punchy chant hook. Lead vocal stays close-mic and urgent with ad-lib echoes, short delay throws on key words, and a frozen-break transition before the final hook. Bright, gritty, and cinematic in the mix., theme
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Peg City, Find Out
rap, Hard country trap beat with distorted 808s and twangy Telecaster riffs, male vocals. Verse starts tight and menacing, half-spoken flow riding the pocket; hook explodes with stacked gang vocals and stomping four-on-the-floor kick. Sub-bass growl and dobro licks trade off in the turnarounds, with a short, stripped-down bridge where the beat drops to claps and bass then slams back in for the final chorus., country
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True North Strong (Go Jets Go)
rap, Rowdy arena country-rap banger with male vocals; twangy Telecaster riffs over a stomping halftime beat, thick sub-bass and arena claps. Verses ride a swaggering rap cadence, hook explodes into shout-along gang vocals and crowd chants. Fiddle and banjo licks pop between lines; huge, echoing “HEY”s and stacked ad-libs on the title line for maximum stadium energy., strong, country
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Blue and Gold Touchdown
rap, Stadium-ready country rap banger with male vocals, half-time stomp-clap groove and twangy banjo riffs over heavy 808-style low end. Verses spit fast with swagger and chant-like rhymes, chorus explodes with gang vocals shouting team chants. Big snare, crowd shouts, and hype ad-libs drive an anthemic, hands-in-the-air energy from kickoff to final whistle., country
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Winnipeg Road Rage
rap, High-octane country-rap banger with male vocals, twangy banjo and gritty distorted guitars over a trunk-rattling trap beat. Verses spit rapid-fire punchlines, tight and aggressive; chorus explodes with gang vocals and stomps. 808-style low end locks with big claps; short talkbox hook and siren FX accent the chaos. Mix pushes the vocal upfront for attitude and crowd-shout moments., country
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Lock You Out in Winnipeg
rap, Country trap beat with twangy banjo loop, 808-style low end, and crisp snaps; male vocals with a half-spoken drawl on the verses and melodic hook. Verses stay tight and punchy, leaning into humor and attitude, while the chorus opens with stacked harmonies and a big singalong feel. Occasional ad-lib shouts and crowd chants for energy, with a brief drop on the last hook for maximum stomp-and-clap payoff., country
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Hot In The Snow
rap, High-energy rock-rap hybrid with crunchy guitars, live kit hitting hard, and swaggering male vocals. Verses ride a tight, syncopated riff; chorus explodes with gang shouts, octave guitars, and big-room chant energy. Brief halftime drop before the last hook, with crowd-style call-and-response and a final stacked vocal shout., strong, rock
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Peg City Two-Four
rap, High-octane rap-rock with overdriven guitars, stomp-clap drums, and rowdy gang chants. Verses spit fast, tight bars over chugging riffs; chorus explodes with shout-along hooks and stacked male vocals. Brief halftime bridge for crowd call-and-response before slamming back into a full-tilt final chorus., rock
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True North Strong, Eh?
rap, High-octane country-rap banger with male vocals. Big stomping kick and claps, twangy Telecaster riffs, bright banjo chops on the offbeat. Verses ride a bouncy, swung trap groove with 808-style low end; chorus explodes with gang vocals, crowd chants, and stacked harmonies. Fiddle lines answer the rap phrases, and a breakdown pares it back to vocal, handclaps, and boot stomps before the final hook slams back in., strong, fresh, country
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True North Strong (Eh There Bud)
rap, High-octane country rap banger with male vocals; double-time trap drums over twangy Telecaster riffs and thick sub-bass. Verses spit rapid-fire with tight syncopation, hook explodes into shout-along gang vocals and stacked harmonies. Big arena snare, stomps, and claps on the chorus; brief fiddle drops and crowd chants add festival swagger., strong, country
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Eh There Bud (True North Strong)
rap, Stadium-sized country rap banger with male vocals; twangy Telecaster riffs over heavy trap drums and sub-bass, fiddle stabs on the hooks. Verses spit fast with swagger and Alberta drawl, big gang vocals on the “eh?” chants. Chorus explodes with stomp-claps and layered shout-singing, final hook rides out on a half-time beat and crowd-style ad-libs., fresh, strong, country
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Maple Mayhem (Canada F**k Yeah)
rock, Stadium-sized high-energy rock with overdriven guitars, gang shouts, and pounding drums; tight, chanted verses explode into a huge shout-along chorus, with a call-and-response bridge and a blazing guitar lead section that keeps the crowd jumping; male vocals with rowdy backing chants and big “whoa-oh”s
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Lot One One One
country, Upbeat pop-country sea shanty blend with twangy acoustic guitars, bright piano, campfire hand percussion, and a playful harmonica hook weaving through the melody; male vocals leading a rowdy, singalong chorus with stacked gang vocals on the title line, energy rising from an easy sway in the verse to a stomping, clap-along feel in the chorus, perfect for late-night bonfire anthems, shanty, pop
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Netley Creek Halloween
Playful acoustic pop with spooky campfire vibes; male vocals leading a kids’ singalong. Bouncy upright bass, brushed drums, creaky door sound effects, distant “howl” gang vocals and group claps on the chorus. Energy rises from whispery verses to big, joyful shout-along hooks, with a brief eerie breakdown before the final chorus explosion., halloween
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Lexi On The Creek
rap, High-energy 80s-inspired pop-rap, bright synth stabs over a quick four-on-the-floor kick and snappy snares. Male vocals deliver playful, double-time verses; female vocals lead a sugary, shout-along hook. Big gang chants on the word “jump,” with glossy pads and crowd claps lifting the chorus, plus a short call-and-response bridge to spike the energy before the final hook., pop
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Lot 13 Nights at Netley Creek
rap, Hybrid 80s pop hook over hard Midwest hip-hop drums, bright synth stabs, and rubbery bass line. Verses lean into aggressive rap cadences with crisp hats and snappy snares; chorus flips to an anthemic, sing-along melody with stacked group vocals. Occasional vinyl-stop drops and filtered breakdowns between sections to spotlight punchy bars, then explode back into full, glossy, stadium-ready energy. Male vocals., hip hop, hardcore hip hop, pop
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Netley Creek Nights
dance, 2000s dance-pop banger with bright synth brass, clapping groove, and a Macarena-style party chant. Female vocals, fun and flirty, with stacked gang shouts on the hook. Verses ride a bouncy four-on-the-floor kick and playful guitar chops; pre-chorus strips to tom build and crowd noise; chorus explodes with stomps, whistles, and a big singalong top line., pop
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Netley Creek Firelight
Rowdy sea shanty energy on land; stomping kick, floor toms, and group gang vocals like a dockside chorus. Acoustic guitars and upright bass drive a swinging 6/8 groove, with fiddle and penny whistle trading riffs. Big shout-along hooks, clinking bottle percussion, rowdy male vocals leading the chant with friends piling in on choruses., shanty
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Paralyzers On Ice
Sunny acoustic country groove with campfire claps, upbeat kick and snare, warm bass, and bright harmonica hooks weaving through the intro and between lines. Male vocals, smiling delivery, gang shouts on the chorus, and a big singalong ending over stomps and handclaps., happy
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September Long at Netley Creek
Easygoing country-folk groove with male vocals, brushed kit and upright bass holding a relaxed pocket. Strummed acoustic guitars and a lazy electric slide set the scene; harmonica hooks answer vocal phrases in intro, turnarounds, and a short mid-song break. Chorus lifts with gang-style backing vocals and extra harmony on the title line, bonfire-warm and beer-buzzed.
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Rolly’s Haunted House
Sunny roots-rock groove in a Creedence spirit: jangly Telecaster riffs, warm Hammond organ pads, lazy backbeat drums, and a round bass walking under it all. Male vocals, relaxed rasp with stacked gang shouts on the title line. Verses stay easy and story-driven; chorus lifts with big harmonies, handclaps, and tambourine. Short twangy guitar fills answer key phrases, with a final double-chorus and ad-libbed nostalgia to fade., happy
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Netley Creek Weekend
rap, Country-pop party jam with male vocals, bright acoustic guitars over a bouncy trap-inflected beat, warm bass, and crisp claps. Verses half-sung half-rapped with a playful swagger; chorus explodes with stacked gang vocals and shout-along hooks. Add subtle banjo chops in the background and a bridge that briefly strips to 808s and vocal before the final full-band chorus., pop, hip hop, country
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Netley Creek Nights
rap, Country-pop groove with a hip-hop bounce; bright acoustic guitar and warm organ over a laid-back 4-on-the-floor kick and deep 808-style bass. Male vocals lean conversational in the verses with a light rap cadence, then open into a big, shout-along chorus. Clapped backbeat, gang vocals on hooks, and playful ad-libs. Bridge drops to drums, bass, and vocal before a final, stacked- harmony chorus., pop, hip hop, country
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