King To Be

80s pop rock with male vocals and rap edges, midtempo 4-on-the-floor stomp, palm-muted guitar verses, driving bass, snare-clap backbeat, and a big singalong chorus. Verse rides tight drums and spoken rap phrasing; pre-chorus opens with stacked harmonies and rising synth; chorus hits with widescreen guitars, octave doubles, and gang vocal lifts. Add reverse crash swells, handclap fills, and a tape-delay throw on the hook words. Bright, punchy, anthemic mix with a glossy radio sheen., gospel, rap, pop rock