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Balcan pop-folk ballad with male vocals; slow build over kanun and nylon-string guitar, weeping clarinet lines and subtle strings. Verses stay mostly in a speaking-sing style, close and confessional. Choruses rise into wide melismatic phrases inspired by Turkish and Serbian pop-folk, with airy backing responses. Light percussion and doumbek groove enter gradually, then drop back on the bridge for an exposed vocal moment before a final soaring chorus.