miked1993
I love music and this is awesome way to express your feelings and let it out
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Make It Right
Hip-hop rap with deep male vocals, mid-tempo trap bounce, hard kick-snare pocket, rolling sub bass, sparse piano stabs in verses, tighter hi-hat chatter in the pre-chorus, and a hook that opens wide with stacked doubles and low ad-libs. Verse stays intimate and clipped; pre-chorus builds with filtered pads and riser tension; chorus lands bigger with gang-style repeats, short delay throws on the last word, and a glossy but heavy mix with crisp top end and thick low-end punch., tone, deep, rap
0 plays1 likes
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Clock Hands and Chrome
Fast-paced rap with crisp trap drums, syncopated hi-hats, and a looping minor-key sample; verse rides tight and breathless with elastic triplets, pre-chorus narrows to bass and snapped snare, chorus lands in a chantable half-time pocket with stacked doubles and short ad-libs. Use tape-stop transitions, alarm-like synth stabs, and a rising filter before each hook. Mix is dark, punchy, and upfront with hard vocal compression., rap
0 plays0 likes
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Stand On Business
Fast-paced trap rap with rolling hi-hats, punchy 808 slides, skittering snare rolls, and a tense half-time bounce; verse runs dense and relentless, pre-chorus tightens with filtered drums and quick ad-lib stacks, chorus hits with a chantable anchor and doubled lead. Vocal is close-mic, hard-edged, with layered doubles on punch lines, shouted hook support, and short delay throws on the last word. Ear candy includes risers into the hook, reverse swells before the drop, and a bass mute right before key lines. Mix is dark, sharp, and forward, with a heavy low end and crisp top., rap
1 plays0 likes
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Realize Girl
Trap rap with a hard 140 BPM bounce, sparse 808 knock, clipped hi-hats, and ominous synth stabs; verses ride tight and conversational, pre-chorus tightens with half-time drums and rising tension, chorus snaps open with gang ad-libs and a chantable hook phrase. Lead vocal is dry and confrontational with doubled lines on key bars, quick ad-lib responses, and delay throws on the last word of the hook. Ear candy comes from filtered risers into the hook, reverse cymbal swells, and a sub drop before each chorus. Mix is dark, punchy, and upfront., rap
8 plays2 likes
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Realize Girl
Trap rap with a hard 140 BPM bounce, sparse 808 knock, clipped hi-hats, and ominous synth stabs; verses ride tight and conversational, pre-chorus tightens with half-time drums and rising tension, chorus snaps open with gang ad-libs and a chantable hook phrase. Lead vocal is dry and confrontational with doubled lines on key bars, quick ad-lib responses, and delay throws on the last word of the hook. Ear candy comes from filtered risers into the hook, reverse cymbal swells, and a sub drop before each chorus. Mix is dark, punchy, and upfront., rap
5 plays1 likes
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Sideways With My People
Hardcore rap country with stomping boom-bap drums, twangy guitar licks, and a rolling bassline; verse rides tight half-time pockets, pre-chorus strips to kick, handclaps, and a banjo pulse, chorus hits with shouted gang vocals and a hooky slide-guitar riff. Aggressive lead vocal with doubled low harmonies, ad-lib echoes, and short delay throws on the hook word. Dust-up risers, boot-stomp accents, and a final chorus lift with crowd shouts. Gritty, wide, and punchy., rap, country, hardcore
1 plays0 likes
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