Williamparishjr
Hello I'm William Parish Jr. Check out some of my other stuff. At my you tube https://youtube.com/@williamparishjr72?si=fZ4whIpoDFx8t4g0 and Spotify https://open.spotify.com/playlist/79SEdCHHg6khXYin6eP6N8?si=vS4AKc1tRF28MZfbZNpKlQ&pi=Gldm1w5xS42
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On The Wait List
rock, Aggressive hard rock with crunchy drop-D guitars and pounding tom-heavy drums. Male vocals roar in the verses, then hit a snarling shout-along chorus stacked with gang vocals. Bass grinds in the low mids; short guitar squeals answer vocal lines. Final chorus pushes tempo and grit, ending on a held vocal note and feedback swell., hard rock
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Every Highway
rock, Modern hard rock anthem with crunchy twin guitars, driving bass, and big live drums; male vocals gritty but melodic. Verses stay tight and palm-muted, then the chorus erupts with wide-open chords, stacked gang shouts on the title line, and a soaring lead line. Brief middle-eight drops to half-time with cymbal wash before a final, higher-key chorus for a stadium-ready finish., hard rock
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Highway Runner
rock, High-energy modern rock with crunchy guitars, driving bass, and live kit hitting a halftime stomp in the verses then exploding to full-on four-on-the-floor choruses. Male vocals with a gritty edge; gang shouts on the hook. Brief, melodic lead guitar motif between sections, big room reverb on the snare, and a shouted outro that invites crowd sing-along.
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Not Sorry at All
rock, Raw alt-rock energy with crunchy overdriven guitars, tight live drums, and male vocals that swing between low, snarled verses and shout-along choruses. Guitars stay palm-muted and tense in the verses, then explode into wide open power chords on the hook. Bass locks in with a gritty growl; gang vocals double the title line in the chorus. Short feedback-drenched bridge before a final, high-energy chorus.
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Not Sorry at All
rock, Raw alt-rock energy with crunchy overdriven guitars, tight live drums, and male vocals that swing between low, snarled verses and shout-along choruses. Guitars stay palm-muted and tense in the verses, then explode into wide open power chords on the hook. Bass locks in with a gritty growl; gang vocals double the title line in the chorus. Short feedback-drenched bridge before a final, high-energy chorus.
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City Cowgirl
rock, High-energy country-rock with overdriven guitars, tight drums, and a swaggering bass line. Female vocals with a smoky twang; verses ride a mid-tempo groove before choruses explode with stacked harmonies and crowd-chant hooks. Add a short, gritty guitar lick between lines as call-and-response, and push the final chorus into a key-lift for extra arena-sized lift.
Catalog
