Qlicious
Hey there! I am using Zona. For my music to come alive.
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Pretty Priority
Hip-hop R&B with a glossy mid-tempo bounce, swung trap hats and warm sub-bass; verse rides sparse keys and clipped claps, pre-chorus opens with airy chords and stacked harmonies, chorus hits with a silky hook, gang ad-libs, and a bigger snare pocket. Double-tracked lead in verses, sultry runs in the chorus, delay throws on key words, reverse swells and shimmering transitions. Bright, polished, lavish mix with a luxe radio sheen., r&b, rap, hip hop
7 plays0 likes
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Q Licious
Reggae-infused hip-hop and trap with a dembow-leaning bounce, syncopated drum rolls, rubbery sub hits, and skanking guitar stabs; verse rides sparse percussion and bass, pre-chorus strips to handclaps and a teasing chant, chorus hits with doubled lead vocals and crowd-style ad-libs. Wet tape-delay throws on end words, reverse cymbal swells into each drop, and a glossy, close-mic mix with warm low-end and bright top sparkle., rap, reggae, hip hop
3 plays1 likes
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Jay in NYC
R&B with a slow swung halftime groove, warm sub bass and glassy keys; verse rides sparse drums and intimate chord stabs, pre-chorus strips to bass and finger snaps, chorus opens with stacked harmonies and a short chantable hook. Lead vocal stays close-mic and tender with airy doubles, melismatic ends, and delay throws on the name. Ear candy: reversed piano swells into the chorus, a soft kick lift on the pre, and vinyl crackle under the bridge. Mix is smooth, glossy, and emotionally close., low, r&b
3 plays0 likes
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Black Lace Crown
Gothic metal with hard rock punch and pop-leaning hook, mid-tempo half-time stomp, chugging low guitars, thunder toms, and a soaring clean female vocal layered with raspy doubles. Verse stays tight and brooding; pre-chorus strips to toms and bass for a dark lift; chorus slams wide with stacked harmonies and gang shouts. Add reversed cymbal swells, cathedral reverb hits, and a final key change feel. Dense, glossy, and heavy., hard rock, world, gothic metal, pop, metal
0 plays0 likes
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302 Crown
Trap hip hop with hard 808 bounce, snapped hi-hats, and a menacing minor-key synth loop; verse rides sparse with dry kick and clipped bass, pre-chorus lifts with filtered pads and stacked ad-libs, chorus hits wider with chant doubles and a simple gang hook. Close-mic lead, gritty saturation, delay throws on punch lines, reversed risers into each drop, bright and punchy mix with a dark edge., rap, hip hop
9 plays0 likes
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See What You Fear
Metal rock with mid-tempo gallop and crushing half-time chorus hits; verse rides tight palm-muted guitars and tom-heavy drums, pre-chorus strips to bass and tense vocal climb, chorus opens wide with stacked gang shouts and a snarled hook. Gritty lead vocal with harsh doubles, whispered menace on transitions, delay throws on the last word of each hook, ride cymbal lifts into the drops, cold reverb tails and a bright, punishing mix., soul, metal, rock
7 plays1 likes
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Soul Light
Gospel R&B with a warm mid-tempo sway, soft handclaps and organ pads under a steady kick; verse stays intimate and close-mic, pre-chorus lifts with stacked harmonies and a tambourine push, chorus opens wide with choir doubles and call-and-response ad-libs. Little piano turns and organ swells bridge each section, with a bright, glossy mix and glowing vocal reverb., r&b, soul, light, gospel
3 plays0 likes
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My Friends First
R&B with a slow 84 BPM swung pocket, mellow drum machine bounce and warm sub under jazzy keys; verse rides close-mic and conversational, pre-chorus strips to handclaps and bass pulses, chorus opens with stacked harmonies and call-and-response on the names. Add reverse-key swells into the hook, soft snap delays on line ends, and a filtered pad lift before the final chorus. Intimate, polished, late-night sheen with crisp top end and silky low mids., r&b
2 plays0 likes
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Mirror On The Wall
Pop with mid-tempo bounce and crisp four-on-the-floor kick, syncopated handclaps, plush synth bass, and glassy bell tones; verse stays tight and shadowy, pre-chorus strips to drums and a pulsing pad, chorus opens wide with stacked harmonies and a chanty hook, bridge drops to close-mic vocals and reversed swells before the final lift. Lead vocal is intimate and breathy in verses, doubled on hooks with airy ad-libs, short delay throws on key phrases, and a few gang-style repeats for the title. Bright, glossy mix with a dark edge and sharp ear-candy transitions., pop
4 plays0 likes
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Lick Back Times Two
Female R&B, mid-tempo and swung with a rubbery bassline, crisp snaps, and airy keys; verse rides close-mic and smoky, pre-chorus strips to bass and finger snaps, chorus opens with stacked harmonies and a chewy hook. Ad-lib doubles, whispered responses, and a few delayed tail throws on the last word of each line. Ear candy: reversed chord swells into the pre, a subtle vinyl crackle under verse two, and a filtered riser into the final hook. Mix is glossy, intimate, and punchy with warm low-end bloom., r&b
5 plays1 likes
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Misss Never Free
Trap with bouncy halftime drums, sliding sub bass, and crisp hi-hat rolls; verse rides sparse with clipped snare gaps and a repeating synth stab, pre-chorus strips to bass and handclaps, chorus hits with stacked gang vocals and a short chant hook. Lead vocal is close-mic and dry in verses, doubled and slightly pitched on the hook, with delay throws on the last word of each chorus line. Ear candy includes reversed risers into the chorus, a cash-register ping, and a filtered ad-lib swell before the final hook. Mix is dark, punchy, and glossy
0 plays0 likes
Catalog
