[Intro — 16 bars]
[Vast empty space — Fejká-style ambient pad slowly emerging from silence, Icelandic langspil single bowed note, wind across lava fields recording, distant reverb-heavy breath, sub-bass heartbeat pulse at 118 BPM fading in]
[Movement 1]
[Soft kick enters — Fejká signature: warm, deep, not aggressive, langspil melody loops through tape saturation]
[Whispered female voice, Icelandic vocal texture, drenched in reverb]
Infinite light
Infinite source
[8 bars instrumental — plucked langspil arpeggios over Fejká-style deep house groove, wide stereo field, glacial reverb]
[Movement 2]
[Beat opens up — snare brush, deeper kick, ambient choir pad swells like northern lights]
[Voice — intimate, close-mic, barely above breath]
The river flows
Never stops
Through me
[16 bars instrumental build — Icelandic fiðla joins langspil, both looped and layered, Fejká-style rising synth pad, tension building gently, kick pattern evolving]
[Movement 3]
[Peak — full groove locked in, warm bass line, all textures alive but never loud, everything breathing together]
[Rímur-style chant — solo male voice, ancient Icelandic melodic pattern, no words, just tonal humming over the beat]
Óóóóó… Óóóóó…
[8 bars]
[Voice returns — layered now, two voices harmonizing in fifths]
Nothing too good
Nothing too wonderful
Open mind
Receive
[Movement 4]
[Fejká-style emotional climax — melody resolves, pads swell to maximum warmth, kick drops out for 4 bars, just langspil and voice floating in space]
[Single voice — clear, vulnerable, unprocessed]
Not burdened
Past is gone
Future — yet to come
[Beat returns gently — softer now, half-time feel, bass warm and round]
[Movement 5]
[Final groove — everything together one last time, Icelandic choir hum joins, rímur melody weaves through Fejká bass line, feeling of vast open landscape and deep inner peace simultaneously]
[Whispered, almost disappearing]
Grateful
And so it is
[Outro — 16 bars]
[Elements dissolve one by one: kick first, then bass, then fiðla, choir fades to single voice, langspil holds last note through infinite reverb, wind returns, sub-bass drone decays into natural silence]
