Sextons

[Intro – 8 bars | detuned ambient pads, granular texture noise, distant metallic hits, subtle sub rumble | no vocals]

[Beat tease – 4 bars | off-grid kick blips, bitcrushed percussion, stuttering hi-hats, lowpass filter slowly opening with sub pulses]

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[Section A – 16 bars | halftime trap groove, sparse punchy drums, modulated sub bass with pitch bends, eerie pluck motif with heavy space | no vocals]

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[Pre-Build – 8 bars | rising distorted 808 glide, glitch fills, reversed percs, tension sweeps with abrupt cuts | no vocals]

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[Drop 1 ]
[male Irish accent]
My name is Patrick…. 
…..and I have sex tons (tons tons tons) 

[– 16 bars | minimal trap drop, sliding 808s, sharp rim/snare hits, syncopated kick pattern, glitchy vocal chops, negative space emphasized]

⸻

[Post-Drop Riddim – 8 bars | sub-heavy bounce, simplified drum pattern, swung hi-hats, subtle bitcrush automation on bass]

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[Section B – 16 bars | stripped percussion, off-beat bass stabs, experimental FX hits, randomized glitch textures, evolving stereo movement | no vocals]

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[Build 2 – 8 bars | rapid drum fills, digital artifacts, pitch risers, hard cuts to silence, aggressive filter automation]

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[Drop 2 – 32 bars | heavier 808 layering, distorted sub harmonics, erratic rhythmic switches, chopped vocal fragments, high-energy glitch transitions]

Section

⸻

[Breakdown – 8 bars | washed ambient pads, reversed textures, long-tail reverbs, no drums, sub removed]

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[Final Drop – 16 bars | chaotic bass design, fast stutter edits, open hats, trap-style drum switchups, maximal glitch energy]

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[Outro – 8 bars | drums fade out, degraded pad loop, vinyl slowdown, filtered noise tail | no vocals]

midtempo dubstep (~140 BPM), robotic bass growls, syncopated half-time drums, sci-fi sound design, hip-hop swing.