INTRO – Soft Pads (no percussion yet) (Soft female hums in background: “oooh… ahhh…”) BLACK FEMALE ALTO (smooth, intimate): They whisper when I walk in — Like trouble’s in my name. Say I bend the rules too easy, Like I’m playing some kind of game. (Soft male tenor harmony enters underneath) But I don’t break for pressure — I don’t scare that easy. If loving who I am is wrong, Then wrong comes naturally. 🥁 GROOVE ENTERS (light vocal percussion) MALE VOCAL PERC (subtle): Doom–ka… tss… doom–ka… BLACK MALE TENOR (silky): You can call me dangerous — Call me what you need. BLACK FEMALE SOPRANO (airy head voice echo): Dangerous… BLACK MALE BARITONE: But I bloom where fire grows — I’m exactly what I see. 🎶 PRE-CHORUS (Layered Harmony Build) FEMALE ALTO: I may be bad — MALE TENOR (harmony above): Bad — FEMALE SOPRANO (soft float): Bad… ALL (tight stack): But I’m perfect good at it. 💥 CHORUS – Rich, Controlled Power FULL ENSEMBLE: I may be bad — But I’m perfect good at it. Every scar I ever had Turned to gold the minute I hit it. MALE BASS (deep resonance): Good at it… FEMALES (soft background pads): Ooooh… ALL: You can judge, you can stare, But I’m already owning it. If being bold is a crime — Then I’m fluent in it. 🎶 VERSE 2 – Male Lead Focus BLACK MALE BARITONE (confident, grounded): They told me keep it quiet, Keep my brilliance low. But diamonds don’t apologize For how they glow. FEMALE ALTO (response): We don’t shrink for comfort — MALE TENOR: We don’t fade for peace — SOFT FEMALE BACKING (whisper harmony): No, we don’t… 🔥 BUILD SECTION – Call & Response MALE LEAD: If I’m the villain — FEMALE LEAD: Then I’m the blueprint — MALE LEAD: If I’m too much — FEMALE LEAD: Then you’re just used to less — GROUP (crescendo): Less… less… less… (Vocal percussion drops out briefly) 🎶 BREAKDOWN – Half-Time, Bass Forward MALE BASS (spotlight, almost spoken melody): Good at it. Every flaw fitted. Every doubt flipped it. Every label — lifted. (Fingers snap softly) FEMALE SOPRANO (floating riff above): Ahh–ahh–ahhh… 🎤 FINAL CHORUS – Full Harmony Expansion (Vocal percussion returns stronger) ALL (bigger stack): I may be bad — But I’m perfect good at it. You can throw your shade — But I stand tall in it. MALE TENOR (run): Good at it — ohhh — FEMALE ALTO (belted warmth): Perfect good at it! MALE BARITONE: Walk like I own the floor — FEMALE SOPRANO (high sustained note): Own it — MALE BASS: Speak like I’ve been here before — 🎶 TAG – Drop to Soft Harmony (Percussion stops. Just layered voices.) FEMALE ALTO (soft): I may be bad… MALE TENOR (soft harmony): Bad… FEMALE SOPRANO (breathy): But I’m good… MALE BASS (final low note): Perfect good at it. (All voices resolve into a warm, tight R&B chord.)

Good at It