

Prompt / Lyrics
[Verse 1] Where do I begin I feel my horns coming in Little pricks under my hairline Tiny crowns of original sin Wings pushing through my skin Shredding shirt Every stitch Every pin Feathers Fire Something in between Flapping in the wind like a bad dream [Chorus] Devil coming out to play tonight Halo slipping Yeah It fits too tight Arrow tail See it flail See it swing Try not to get impaled On this love On this wicked little thing (hey!) Devil coming out to play tonight Hold you close Hope you hold on right Arrow tail See it flail See it swing Try not to get impaled On this sharp Dark Honey-dripping fling [Verse 2] Your lipstick smears like a spell You laugh and say “welcome to hell” You trace my back where the bones push through Count each blade Say a prayer or two Cloven footsteps on the kitchen tile You pour red wine with a crooked smile We dance too fast in a too-small room Both of us courting doom [Chorus] Devil coming out to play tonight Halo slipping Yeah It fits too tight Arrow tail See it flail See it swing Try not to get impaled On this love On this wicked little thing (oh yeah) Devil coming out to play tonight Hold you close Hope you hold on right Arrow tail See it flail See it swing Try not to get impaled On this sharp Dark Honey-dripping fling [Bridge] You say “bite” I say “bleed” You say “run” I grow new wings You say “stop” I curl that tail Wrap you up In a cursed fairytale [Chorus] Devil coming out to play tonight Halo slipping Yeah It fits too tight Arrow tail See it flail See it swing Try not to get impaled On this love On this wicked little thing Devil coming out to play tonight Raise a glass to the ruined and right Arrow tail See it flail See it swing Try not to get impaled On this sharp Dark Honey-dripping fling
Tags
rock, Jaunty Gothic rock with a swaggering midtempo groove, swung drums, and crunchy twin guitars. Male vocals with a theatrical sneer; verses stay tight and percussive while the chorus bursts open with call-and-response gang shouts and organ stabs. Bridge strips down to toms and bass for a spooky chant, then slams back into a bigger final hook with layered harmonies on the title line., romantic
3:31
No
4/5/2026