

Prompt / Lyrics
[Verse 1] Two-lane Headlights Buzzing like a bad idea Open road in the rearview Town getting small in the mirror Dust on my boots Coffee on my shirt Phone lighting up on the dash Your name, again But I let it ring Let it fade into the black [Chorus] I’ve been drivin’ all night to nowhere Burning up miles just to feel this ache Windows down, let the cold cut through me Hoping it’ll numb all the moves I made Yeah, I run from the hurt Like it’s caught in the rearview glare I’ve been drivin’ all night to nowhere But it sure feels like you’re still there (still there, still there) [Verse 2] Radio low Talking ’bout forever like a dare I talk back to the DJ Say forever ain’t welcome here White lines flicker Like the fights we never finished You said “love me or just leave” I picked leaving in a minute Now it’s me and this road And a heart on spare [Chorus] I’ve been drivin’ all night to nowhere Burning up miles just to feel this ache Windows down, let the cold cut through me Hoping it’ll numb all the moves I made Yeah, I run from the hurt Like it’s caught in the rearview glare I’ve been drivin’ all night to nowhere But it sure feels like you’re still there (still there, still there) [Bridge] Talk tough But I talk to your picture Sitting in the console tray “Boy, turn around” Yeah, I hear it in the humming of the highway But the tank’s half full And my pride don’t brake So I press that pedal like a promise I break (oh-oh) [Chorus] I’ve been drivin’ all night to nowhere Burning up miles just to feel this ache Windows down, let the cold cut through me Hoping it’ll numb all the moves I made Yeah, I run from the hurt Like it’s caught in the rearview glare I’ve been drivin’ all night to nowhere But it sure feels like you’re still there (still there, still there)
Tags
rap, Moody country-trap crossover with male vocals: half-sung, half-rap verses over twangy acoustic and gritty electric guitar, subby low-end and tight hats. Big anthemic pop-country chorus with layered gang shouts, wide rock drums, and a soaring lead. Second half adds octave guitars and harmonies for lift, ending on a raw, ring-out vamp., country, country rock, electric, male vocals, rock, pop rock, moody, acoustic, pop, alternative country
3:14
No
2/4/2026