

Prompt / Lyrics
[Verse 1] You walk in, calm as rain I bite my tongue, burn my name Fists like thunder, face like flame You say my name and break the frame I hate how soft I get When you look right through the set [Pre-Chorus] One step closer And I lose the fight Your quiet eyes Cut through the night I pull away You stay in view Damn it, Izuku It's always you [Chorus] Ash and green, ash and green You split me clean, you split me clean Ash and green, ash and green I fall hard, and you know what I mean (you know what I mean) Ash and green, ash and green Don't let go now, don't let go now [Verse 2] Training yard, blood on my sleeve You patch me up like it's easy I sneer, you grin, I look away But my chest keeps giving me away Every bruise, every scar Maps the road to where you are [Pre-Chorus] One step closer And I lose the fight Your quiet eyes Cut through the night I curse your name Then want you near Damn it, Midoriya Come here, come here [Chorus] Ash and green, ash and green You split me clean, you split me clean Ash and green, ash and green I fall hard, and you know what I mean (you know what I mean) Ash and green, ash and green Don't let go now, don't let go now [Bridge] If I roar, will you stay? If I shake, will you see The wrecked-up boy Under all this teeth? I was made for war You made me believe Even fire Can learn to kneel [Final Chorus] Ash and green, ash and green You split me clean, you split me clean Ash and green, ash and green I fall hard, and you know what I mean (you know what I mean) Ash and green, ash and green Come back now, come back now Ash and green, ash and green I’m yours now, I’m yours now
Tags
Metal ballad with half-time drums, soaring distorted guitars, and a tender-to-violent dynamic arc; verse 1 rides clean arpeggios and restrained toms, pre-chorus widens with rising cymbal wash and octave bass, chorus hits with layered power chords and stacked gang vocals, bridge drops to a lone guitar and breathy voice before the final lift. Harsh lead with clean harmony doubles, delay throws on key lines, subtle choral pads, reverse swells into choruses. Wide, dramatic, polished but emotional mix., ballad, metal
4:14
No
4/20/2026