

Prompt / Lyrics
[Verse 1] You called it "teaching me a lesson" I called it hiding in the dark Bible open on the table With your fingerprints like teeth marks Little girl Brown skin Blue pajamas Counting cracks inside the wall You said "blood is what will save you" But you were the one who made me crawl [Chorus] I ain't coming back to the bloodline (hey!) I cut that cord like a rusted chain Your last name's just a grave sign Buried in somebody else's shame You can cry You can beg You can pray my name But I won't forgive what you did in that house I ain't coming back to the bloodline And you don't get a daughter now [Verse 2] Sunday dress Tight shoes Tight throat You smiled big for every face Then your hands spoke different language When the doors slammed on that place You said "girl You're just too angry" Guess you never felt this fire Every bruise you painted on me Now it's beating through this wire [Chorus] I ain't coming back to the bloodline (no way) I cut that cord like a rusted chain Your last name's just a grave sign Buried in somebody else's shame You can cry You can beg You can pray my name But I won't forgive what you did in that house I ain't coming back to the bloodline And you don't get a daughter now [Bridge] You don't get my wedding picture You don't get my child's first cry You don't get a seat in the front row When they ask me how I survived You don't get to call it "weakness" When I walk away Stand tall You don't get a single "I forgive you" You get silence You get walls [Chorus] I ain't coming back to the bloodline (oh no) I cut that cord like a rusted chain Your last name's just a grave sign Buried in somebody else's shame You can cry You can beg You can pray my name But I won't forgive what you did in that house I ain't coming back to the bloodline I built my own from the ashes now
Tags
metal, Bluegrass-metal hybrid with female vocals: clawhammer banjo and gritty resonator guitar locked to a double-kick groove, distorted fiddle lines mirroring the vocal melody. Verses start sparse with banjo, low toms, and intimate, rasp-edged lead; chorus slams in with drop-tuned guitars, gang shouts, and stacked harmonies. Occasional half-time breakdown with choked cymbals and bowed fiddle drones for drama, then a runaway-train outro where banjo, fiddle, and guitars trade furious fills., bluegrass
3:53
No
4/6/2026