[Intro] Yeah Uh From the alley to the estate We outside (hey!) [Verse 1] Flip-flop Nike tech Same day Gold tooth grin That’s payday One foot in samba That sway-sway Other foot murky in the grey-way Skrr in the lane That’s lane switch Hot head Cool chain That language Turn one dream to a banquet Whole block up when the man’s lit (brrah) [Chorus] From favela to the ends That’s gang-tied (gang-tied) Same dance Different slang on the same side If you with it Throw a hand Let it hang high (hang high) If you hate it Better run when we bang by Ah Shake Shake Let it rotate (rotate) Step left Step right Make the road shake From favela to the ends That’s gang-tied (gang-tied) Same drum New tongue when the bass slide [Verse 2] Light skin Dark skin All flame Little bit holy All stained She got waist like “oh shame” Still write her name in my off days Big drip No sea Just concrete Still turn dust to a moshpit One shout Whole clique on a bomb thing One look Man know who the don is (ayy) [Chorus] From favela to the ends That’s gang-tied (gang-tied) Same dance Different slang on the same side If you with it Throw a hand Let it hang high (hang high) If you hate it Better run when we bang by Ah Shake Shake Let it rotate (rotate) Step left Step right Make the road shake From favela to the ends That’s gang-tied (gang-tied) Same drum New tongue when the bass slide [Bridge] North side South side Same roar (same roar) Hilltop Block side Same floor If you came broke Leave rich in a vibe Two worlds One heart One time (one time) [Chorus] From favela to the ends That’s gang-tied (gang-tied) Same dance Different slang on the same side If you with it Throw a hand Let it hang high (hang high) If you hate it Better run when we bang by Ah Shake Shake Let it rotate (rotate) Step left Step right Make the road shake From favela to the ends That’s gang-tied (gang-tied) Same drum New tongue when the bass slide (slide)

funk, High-octane Brazilian funk x UK drill hybrid at ~140 BPM, male vocals. Distorted sub on a relentless sliding pattern, tight kuduro-style percussion, and clipped funk tamborzão groove. Hook rides chopped crowd chants and siren stabs; verses lock into icy drill hi-hats and gliding 808s. Call-and-response ad-libs, shouted gang vocals on the last hook, and a short halftime breakdown before the final drop., mashup, drill, low, male vocals, swing, vocal

Favela to the Ends