Good Girl, Bad Plans

[Verse 1 – Guy]
You pull up in your sundress
I’m posted by the corner store
You say you love my chaos
You don’t know what you askin’ for
I’m up late with trouble on speed dial
You’re home by ten, kissin’ your mom
You think I’m some movie you can fix
But this ain’t the script you want (nah)
[Chorus – Both]
Good girl, bad plans
You keep reachin’ for my hands
I keep pushin’ you away
You keep sayin’ that you’ll stay (you’ll stay)
You say, “I’ll ride even when it gets dark”
I say, “Don’t stain your pretty heart”
Good girl, bad plans
You still wanna be my last chance (oh)
[Verse 2 – Girl]
You say you poison, I say I’m immune
I see the hurt hidin’ under your tattoos
You talk in warnings, I talk in faith
You’re tryna leave, I’m already in too deep
I met your friends, they looked me up and down
Said, “Little angel, you should turn around” (hey)
But every time you slam that door
I’m on your steps beggin’ for more
[Chorus – Both]
Good girl, bad plans
You keep reachin’ for my hands (for your hands)
I keep pushin’ you away
You keep sayin’ that you’ll stay (I’ll stay)
You say, “I’ll ride even when it gets dark”
I say, “Don’t stain your pretty heart”
Good girl, bad plans
You still wanna be my last chance
[Bridge – Guy & Girl]
[Beat drops, keys and bass only]
[Guy]
I grew up on “trust nobody”
You pull up sayin’ “trust in me”
I don’t wanna see you cry over
All the things this life might bring
[Girl]
If it breaks me, let it break me
I’d rather break right next to you (next to you)
If it takes me, let it take me
I’d rather chase what might be true (yeah)
[Chorus – Both]
Good girl, bad plans
You keep reachin’ for my hands (reachin’)
I keep pushin’ you away
You keep sayin’ that you’ll stay (I’ll stay, I’ll stay)
You say, “I’ll ride even when it gets dark”
I say, “Don’t stain your pretty heart”
Good girl, bad plans
Maybe I’m your last, last chance (last chance)

rap, Moody R&B duet with male rap and female vocals; woozy Rhodes, warm sub-bass, tight rimshot groove. Verses stay intimate and close-mic’d, chorus opens with stacked harmonies and call‑and‑response. Occasional pitched-down ad-libs for the guy, airy harmonies and soft runs for the girl, beat stutters and filters for tension before final hook.