God In The Valleys, God On The Peaks

[Verse 1]
Head in my hands on a Tuesday
Phone lighting up
I let it ring
Bills on the table like a landslide
Can’t see a way out of anything
(Female)
I mumble a half-broken prayer
“Are You still close when I’m scared?”
Then peace starts to rise through the noise in my chest
Like air where there wasn’t air
[Chorus]
You’re God in the valleys
God on the peaks
Holding me steady when I’m too weak
When I’m in pieces
You’re on Your knees with me
Laughing and dancing when I’m finally free
From lowest whisper to highest shout
You’re right here
There’s never a doubt
God in the valleys
God on the peaks
You’re reaching for me
[Verse 2]
(Male)
We’re singing along in the sunlight
Windows rolled down on the highway
Tears from the night turn to bright lines
On a face that is learning to say
“I thought that I lost You in shadows
Turns out You were there all along”
(Female)
From funeral clothes to wedding confetti
You carried us into this song
[Chorus]
You’re God in the valleys
God on the peaks
Holding me steady when I’m too weak
When I’m in pieces
You’re on Your knees with me
Laughing and dancing when I’m finally free
From lowest whisper to highest shout
You’re right here
There’s never a doubt
God in the valleys
God on the peaks
You’re reaching for me
[Bridge]
(Female) When I fall apart
You don’t look away (oh)
(Male) When I win it all
You’re the same today
(Together) Every high
Every low
Every breath that I breathe
You’re the love that will not leave
[Chorus]
You’re God in the valleys
God on the peaks
Holding me steady when I’m too weak
When I’m in pieces
You’re on Your knees with me
Laughing and dancing when I’m finally free
From lowest whisper to highest shout
You’re right here
There’s never a doubt
God in the valleys
God on the peaks
You’re reaching for me
You’re reaching for me (hey!)

pop, Bright modern pop with male and female vocals trading lines; crisp drums and warm bass underneath. Saxophone hooks answer the vocal phrases in verses; chorus explodes with stacked harmonies and a soaring sax line doubling the topline. Energy builds from intimate first verse into an anthemic, arms-raised final chorus, with a brief middle drop where sax and vocal ad-libs take center stage., tone, saxophone, female vocals