She bares the mark

​[Verse 1: The Daikini Crossroads]
[​Prompt: 105 BPM, rhythmic synth pulses, breathy female vocals, distant Celtic flute, heavy floor toms, 80s fantasy.]
​A bundle of silk in the river reeds
A prophecy sown like the smallest of seeds
The Queen is watching from her tower of glass
Counting the heartbeats as the messengers pass
You’re the end of the ritual, the break in the chain
Sleeping through the thunder and the driving rain.

​[Chorus: The Flight from Nockmaar]
[​Prompt: Soaring 80s art-pop, gated reverb drums, lush Fairlight string stabs, emotional intensity, triumphant, 1988.]
​And if I could, I’d destroy the wicked Queen
I’d be the shield and I’d be the dream
I’m running through the forest, holding on to you
Trying to keep the darkness from breaking through
Running up the mountain, to Tir Asleen.

​[Verse 2: The Sorceress's Shadow]
[​Prompt: Dark 80s synth-pop, mechanical tribal beat, eerie vocal layers, shimmering bells, brooding analog bass.]
​Bavmorda is screaming in the eye of the storm
Transforming the world into a twisted form
But a Nelwyn hero and a twisted wand
Are forging a pact and a sacred bond
From the village of Nelwyn to the island of Fin
The war for the future is about to begin.

​[Chorus: The Flight from Nockmaar]
[​Prompt: Soaring 80s art-pop, gated reverb drums, lush Fairlight string stabs, emotional intensity, triumphant, 1988.]
​And if I could, I’d destroy the wicked Queen
I’d be the shield and I’d be the dream
I’m running through the forest, holding on to you
Trying to keep the darkness from breaking through
Running up the mountain, to Tir Asleen...to Tir Asleen.

​[Bridge: The Ritual]
[​Prompt: Experimental 80s industrial, frantic orchestral hits, breathless chanting, cinematic tension, heavy percussion.]
​The drums in the canyon.
The blood on the moon.
The transformation is coming too soon.
Wake up, little princess.
Open your eyes.
The morning is rising.
The shadow dies.

[Big epic 1980 Guitar Solo before transitioning back into the chorus]

​[Chorus: The Flight from Nockmaar]
[​Prompt: Soaring 80s art-pop, gated reverb drums, lush Fairlight string stabs, emotional intensity, triumphant, 1988.]
​And if I could, I’d kill the wicked Queen
I’d be the shield and I’d be the dream
I’m running through the forest, holding on to you
Trying to keep the darkness from breaking through
Running up the mountain, to Tir Asleen...Tir Asleen

Erora...Erora...Erora...Tir Asleen

Atmospheric 1985 synth-pop, gated reverb percussion, lush pads, dramatic builds, haunting female vocals, analog warmth.