### **[INTRO: 0:00-0:15]**
- *Dhol loop* (distorted) + *sub-bass growl*.
- **SFX**: *Switchblade flick*, *police radio static*.
- **Opening Line** (Brummie-Pakistani accent):
*“Paki blood, UK mud… this ends where the **choori** cuts.”*
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### **[VERSE 1: 0:15-0:45]**
*“Mum’s tears cold now… **khoon**’s my **currency**,
*Food shop*’s my kingdom… *Fed*’s my **enemy**.
*Gundaa* since Year 7, blade tucked in my *creps*,
*Opps* tried *warmin’* up… left ’em leakin’ in *Leeds*.
**Hustle** in my veins, *bhai*’s my **parcel** runners,
*Loyalty*’s my army… *snakes* get **dipped** in *Bradford summers*.
*Olders* called me *wasteman*… till I **built** my *name*,
Now they **bless** my *whip*… streets scream my **fame**, kid.”*
---
### **[CHORUS: 0:45-1:15]**
*“**Khoon** on my hands… **code**’s my script,
*Choori*’s my *quill*… *opps* get **dissed**.
From *Birmingham* to *Burewala*… **gang**’s my creed,
No soft talk… trap’s my **regimen**. *(Grrah!)*”*
- *Tabla triplets* + *40Hz 808s* (earthquake mode).
---
### **[VERSE 2: 1:15-1:45]**
*“*Fed*’s got *dossiers*… I got *burner* tech,
*Ting*’s on my *jatt*… but *love*’s a **suspect**.
*Block* nights, *bare* man with the **strap** tucked,
*Desi* drill, no *giddha*… we **clap** when we’re **jucked**.
*Squad* turned **wolves**… *hoods* stained with *bodies*,
*Opps* scream *‘Skrrt!’*… when we **drop** in their *Mercs*.
*Mum*’s tears dried faster than *samosas* fry,
*Paki* prince… but the **block**’s my *legacy*.”*
---
### **[BRIDGE: 1:45-2:15]**
- *Sarangi screech* + *helicopter blades*.
- **Narrative Bars**:
*“They said *‘The Feds clockin’ us*’… I said *‘They seen worse*’,
*Bhai* got **bagged**… now I **jug** his *hearse*.
*Trust*’s a *myth*… like *sun* in *Bradford*,
*Khoon*’s my **ink**… streets my *diary*, *mad* hard.”*
---
### **[CHORUS REPRISE: 2:15-2:45]**
*“**Khoon** on my hands… **code**’s my script,
*Choori*’s my *quill*… *Fed*’s get **dissed**.
From *Luton* to *Lahore*… **gang**’s my creed,
No soft talk… trap’s my **regimen**. *(Check!)*”*
---
### **[OUTRO: 2:45-3:30]**
- *Dhol fades* into *silenced gunshot SFX*.
- **Final Line** (cold, whispered):
*“UK bred, *desi* led… the **block**’s the end for men like us.”*
- **SFX**: *Cash counter* → *silence*.