Intro
[00:00:00]: let's go
Style: 1. Hype man shouts (A punchy ad-lib)
[00:00:00] -: (Instrumental / Beat Introduction)
Style: 2. Vocal chopping (Rhythmically cutting and repeating a sound effect or word on the beat)
Verse 1
[00:00:23]: You made me new island me down
Style: 5. Singjay style (Core rhythmic delivery)
[00:00:23]: you spoiling things mindset belong girl now on me
Style: 7. Doubled Tracked lead (The main vocal line is layered with itself for thickness and strength)
[00:00:49]: that's why me hard long lasting long you
Style: 5. Singjay style (Core rhythmic delivery)
Pre-Chorus
[00:01:01]: Know why you believe in me for good one time
Style: 9. Whispered vocals (Delivered quietly and intimately to convey doubt)
[00:01:15]: all empty proises oh sweet don't belong do we need me
Style: 10. Octave Doubling (Main vocal is layered with a lower octave vocal for a heavier, more grounding sound)
[00:01:30]: but now I'm coming up for self it's going to die best for me look in your back
Style: 8. Preacher and choir (Main vocal is delivered with emphasis, like a preacher addressing a crowd)
Chorus
[00:01:39]: We love you so much that's why we walk baby you stop
Style: 12. Harmouzed duet (Two main voices singing the melody in close harmony)
[00:01:51]: Please come back on me still loving you yet / Please come back for me it's going be my best for me look
Style: 6. Three styles harmony (Background vocals layered using three different textures, supporting the main duet)
[00:02:13]: Please come back for me we still fighting you yet / Please come back for me
Style: 12. Harmouzed duet (Continued)
Bridge
[00:02:47]: know somewhere why now you've been leaving me for good one time all empty proises
Style: 3. Rast chants (A rhythmic, repeated phrase like "Jah know" or a quick pattern, chanted under the main vocal)
[00:03:00]: oh sweet don't belong you we need this
Style: 8. Preacher and choir (The background "choir" answers or repeats this line)
[00:03:15]: but now I'm coming up west it's going be trying best for me kissing you back
Style: 5. Singjay style (Returning to the core rhythmic delivery)
Chorus 2
[00:03:25]: loving you so much better that's why we walk baby step
Style: 7. Doubled Tracked lead (Strong emphasis on the lead vocal)
[00:03:37]: please come back for me you come back for me
Style: 11. Round singing (Two or more voices enter consecutively with the phrase, overlapping to create a cascading effect)
[00:03:46]: it's coming from me look
Style: 12. Harmouzed duet (Returns to the main chorus arrangement)
Outro
[00:03:59]: please come back to me / please come back to me
Style: 11. Round singing (Fading repetition)
[00:04:11]: finding you yeah
Style: 4. Screams and shouts (A short, raw, emotional yell for the climax)
[00:04:15]: please come back for me
Style: 1. Hype man shouts (Repeated ad-libs/encouragement to fade out)
