|  | UNSOLD TWENTY-THIRD FLOOR ~116 BPM trash-glam electro-synthwave · comic menace ASDFd·4 | | 1w ago | 2:33 | |
|  | Untitled Five young ladies late teens on a back porch Saturday evening
Golden hour glow · crickets chirping. Beautiful intimate layered harmonies — warm ASDFd·5 | | 1w ago | 5:08 | |
|  | UNSOLD CONDO FLOOR 1978 Late 70s space-disco evolving into early 80s Hi-NRG. Propulsive 4/4 drum machine beats · funky analog synth bass ASDFd·5 | | 4d ago | 3:33 | |
|  | Little Signal Comes Clear 1978 Late 70s space-disco evolving into early 80s Hi-NRG. Propulsive 4/4 drum machine beats · funky analog synth bass ASDFd·2 | | 4d ago | 4:17 | |
|  | AEROBICS OVERDRIVE V3 Pre-MIDI electronic funk meets early 80s aerobics craze. Features punchy analog rhythm boxes · pulsing four-on-the-floor ASDFd·1 | | 1w ago | 2:12 | |
|  | We are not what we were late nineties post grunge rock ballad · male vocals ASDFd·0 | | 1w ago | 5:11 | |
|  | We are not what we were late nineties post grunge rock ballad · male vocals ASDFd·2 | | 1w ago | 5:14 | |
|  | MELTING IN THE DISTANCE. 1987 An iconic 1987 synth-pop ballad turning into an upbeat soft-rock duet. Starts tenderly growing brass and soring vocals ASDFd·1 | | 1w ago | 4:29 | |
|  | Sleep Shift Protocal the version The radio play spoken word style · bled a flat hum into the valley. Linoleum froze by midnight. The freight whistle blew ASDFd·4 | | 1w ago | 3:03 | |
|  | THE WILL TO PARTAKE HOLDS 1987 Late 70s space-disco evolving into early 80s Hi-NRG. Propulsive 4/4 drum machine beats · funky analog synth bass ASDFd·8 | | 1w ago | 4:23 | |
|  | SILENT CONTRACTS 1987 An iconic 1987 synth-pop ballad turning into an upbeat soft-rock duet. Starts tenderly at 104 BPM · moving to 110 BPM ASDFd·0 | | 1w ago | 3:58 | |
|  | COLD CACHE Correlation Layer) Iconic 1987 synth-pop ballad turning to rock duet. Starts 104 moves to 110 Rich Brass · Encompassing Vocals Male/Female ASDFd·3 | | 1w ago | 4:02 | |
|  | FRESH EYES BLUE SKY'S 1987 synth-pop ballad turning into rock-duet. Starts tenderly at 105 BPM shifting to 110 Male and Female Power ballad ASDFd·1 | | 1w ago | 3:39 | |
|  | WINTER GARDEN WALKS IN TORONTO 1987 synth-pop ballad turning into an upbeat soft-rock Male / Female power duet.at 105 BPM in energy building 110 BPM ASDFd·0 | | 1w ago | 4:40 | |
|  | 1982 THE WINNOWING 1987 synth-pop ballad turning into an upbeat rock duet 109 BPM four-on-the-floor rhythm · rich brass and soaring vocals ASDFd·0 | | 1w ago | 4:44 | |
|  | 1987 HOUSE PARTY iconic 1987 synth-pop ballad turning into an upbeat Male and Female. Ballad-rock duet ASDFd·0 | | 1w ago | 2:27 | |
|  | GONE IN A BLINK An iconic 1987 synth-pop ballad turning upbeat soft-rock duet. Starts tenderly at 104 BPM · Male and Female power Vocals ASDFd·5 | | 1w ago | 4:38 | |
|  | SILENT CONTRACTS 1987 An iconic 1987 synth-pop ballad turning into an upbeat soft-rock duet. Starts tenderly at 104 BPM · moving to 110 BPM ASDFd·3 | | 1w ago | 3:51 | |
|  | QUEUE PRESSURE - 1987 iconic 1987 synth-pop ballad turning upbeat soft-rock Male and Female power vocals duet. Ends at 110 BPM 4 on floor ASDFd·2 | | 1w ago | 3:24 | |
|  | MEMORIES OF PEALING STYROFOAM OF GLASS BOTTLES synth-pop ballad turning into an upbeat soft-rock duet shifting into an energetic 109 BPM four-on-the-floor rhythm · live ASDFd·6 | | 1w ago | 5:02 | |
|  | Predawn Drive Cached ~130 BPM · darker ASDFd·8 | | Apr 16 | 2:48 | |
|  | NEXT ON DECK 132 BPM · fastest ASDFd·5 | | Apr 14 | 3:50 | |
|  | QUEUE PRESSURE v1 Night trap · Thai street club ASDFd·4 | | Apr 14 | 2:14 | |
|  | COLD CACHE Correlation Layer) ~105 BPM · even flatter ASDFd·0 | | Apr 14 | 3:30 | |
|  | SHIFT SLEEP PROTOCOL (100 DAYS) lofi edition ~105 BPM · even flatter ASDFd·0 | | Apr 14 | 3:42 | |
|  | QUEUE PRESSURE - lofi edition ~105 BPM · even flatter ASDFd·0 | | Apr 14 | 2:33 | |
|  | THREAD OVERDRIVE refined pass 132 BPM · fastest ASDFd·2 | | Apr 5 | 4:16 | |
|  | THREAD OVERDRIVE refined pass 132 BPM · fastest ASDFd·0 | | Apr 5 | 3:54 | |
|  | THREAD OVERDRIVE v2 132 BPM · fastest ASDFd·5 | | Apr 4 | 3:44 | |
|  | Take the Watch v2 128 BPM · hard house groove ASDFd·2 | | Apr 4 | 3:56 | |
|  | Take the Watch v2 128 BPM · hard house groove ASDFd·0 | | Apr 4 | 3:29 | |
|  | THREAD OVERDRIVE v1 132 BPM · fastest ASDFd·3 | | Apr 3 | 2:13 | |
|  | QUEUE PRESSURE v1 ~130 BPM · darker ASDFd·4 | | Apr 3 | 1:59 | |
|  | QUEUE PRESSURE v1 ~130 BPM · darker ASDFd·2 | | Apr 3 | 2:03 | |
|  | Take The Watch v3 128 bpm · Hip-hop ASDFd·0 | | Apr 3 | 2:31 | |
|  | Take the Watch v2 128 BPM · hard house groove ASDFd·0 | | Apr 3 | 3:21 | |
|  | Take The Watch 128 bpm · Hip-hop ASDFd·0 | | Apr 3 | 2:01 | |
|  | Take The Watch 128 bpm · Hip-hop ASDFd·2 | | Apr 3 | 2:06 | |
|  | COLD CACHE Correlation Layer) ~105 BPM · even flatter ASDFd·2 | | Apr 2 | 3:59 | |
|  | entropy Change Up v1 Minimal tech · continuous tension build loop to hard electro drum pattern ASDFd·6 | | Apr 2 | 3:38 | |
|  | Live Rounds v2 BPM: 130
GENRE: neo-trap · hard house ASDFd·2 | | Mar 31 | 2:59 | |
|  | Live Rounds v2 BPM: 130
GENRE: neo-trap · hard house ASDFd·4 | | Mar 31 | 3:08 | |
|  | Hold the Watch Dark ambient trap · cinematic minimal ASDFd·1 | | Mar 31 | 3:13 | |
|  | Watch Continues Dark ambient trap · cinematic minimal ASDFd·5 | | Mar 30 | 2:43 | |
|  | Watch Continues Dark ambient trap · cinematic minimal ASDFd·6 | | Mar 30 | 2:37 | |
|  | Watch Continues Dark ambient trap · cinematic minimal ASDFd·1 | | Mar 30 | 3:04 | |
|  | Watch Continues Dark ambient trap · cinematic minimal ASDFd·0 | | Mar 30 | 3:09 | |
|  | STILL ALIVE - Hybrid Version Night trap · Thai street club ASDFd·10 | | Mar 29 | 2:49 | |
