Refined

Let’s spit some bars! My music expresses my entire life from being in the streets to being Wiccan to being Saved by Jesus Christ!

77 songs

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Hands Full of Smoke

Hip-hop rap with scratched vinyl accents, boom-bap drums, and a tense head-nod groove; verse rides sparse kicks and dusty piano stabs, pre-chorus tightens with chopped choir and filter sweeps, chorus opens on a short chant with doubled female lead and scratch fills between lines. Bridge drops to bare drums and a half-spoken confession before the final chorus returns with stacked ad-libs, crisp cuts, and a bright punchy mix., lyrical, rap, scratch

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As We Lay (One Night to Pray)

rap, Trap & B-side R&B ballad: sparse piano and filtered vocal samples in the intro, then 808-heavy drums and deep bass hit on the first verse. Female vocals with church-trained runs, stacked harmonies in the hook, and a whispered double under select lines. Verses switch between melodic rap and straight bars, with subtle organ swells and airy pads lifting the choruses. Energy rises from intimate confession to full-chest belting by the final hook, ad-libs riding the beat like a sermon over a trap cypher., r&b, female vocals, strong

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Salt on Your Shoulders

Haunting maritime shanty with female vocals, low drones and distant toms like slow waves, ghostly choir harmonies on the chorus, sparse fiddle and pump organ weaving in and out. Verses keep it close and intimate, almost whispered; chorus swells with layered call-and-response, then fall back to a soft, fading coda like fog rolling off the sea.

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Empty Hands, Heavy Heart

rap, Bleak ambient trap bed smeared with vinyl crackle and glitched vocal chops; field-holler call-and-response textures tucked behind intimate female rap verses. Sparse, booming low end and distant, detuned bells in the hook; choruses bloom with stacked, reverb-heavy harmonies and ghostly chantey-style chants. Occasional glitch cuts and scratched fragments between lines; female vocals shift from raw, close-mic whispers to belted, aching cries on the last chorus., ambient, glitch, sad, scratch, bass music

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All Day, All Night

rap, Grimy Southern trap spiritual, male vocals. Call-and-response hums and low gospel choir under a sparse piano loop, heavy sub-bass and stuttering hi-hats. Verses lean into swung trap drums and glitchy vocal chops; hook explodes with layered harmonies and pitched-down ad-libs. Slow build from desperate grind to fierce uplift, with reverb-soaked claps evoking church handclaps in a smoky basement service., glitch

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Hard Times Chantey

rap, Southern trap meets old work-song chantey; swampy guitar and dusty piano under booming 808s, ticking hi-hats, and aggressive scratch cuts. Female vocals upfront, gritty and soulful on the hooks, rhythmic and sharp on verses. Call-and-response gang vocals echo key phrases, with stomps and claps thickening the downbeats. Energy builds from sparse, ominous verses into a huge, chest-thumping chorus that feels like a crew hauling the weight together., female vocals, scratch

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Glitch Witch

rap, Aggressive glitch hop banger: stuttering drums, bitcrushed bass, chopped vinyl scratches, and mangled vocal glitches. Verses ride a swung, head-nod groove with distorted male vocals; hook explodes with layered chants, detuned synth stabs, and rapid-fire edits. Occasional half-time drops and tape-stop moments keep it chaotic and menacing., soul, glitch hop, hardcore, scratch, glitch

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Life Stole You From Me

rap, Glitchy future-trap / glitch hop hybrid with female vocals; sparse, detuned bells on the verses over skittering hi-hats and distorted 808 swells, then the chorus blooms into wide, sidechained synth stacks and pitched vocal chops. Energy arcs from numb, intimate confession to cathartic, tearful rage, then lands in a hollow outro with filtered drums and echoing ad-libs; heavy sub, crisp tops, and a slightly robotic vocal FX palette to match the futuristic mood., glitch hop, glitch

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Clock On My Neck

rap, Aggressive female vocals over a hybrid trap / glitch-hop beat; tight, swung drums and snarling 808s under chopped turntable scratches. Verses ride a stuttery, futuristic bass pattern with glitchy edits on key punchlines; hook explodes into a trance-leaning lead synth and wide, stacked gang vocals. Drops hit hard with syncopated fills and riser swells, energy spiking then cutting to sparse moments for impact., trance, hardcore, scratch, glitch hop

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Sisters, Not Strangers

rap, Punchy hip-hop / trap with female vocals; crisp trap drums and glitchy percussion, vinyl-style scratches on transitions, bright bell synths and lush pads in the hook. Verses ride a bouncy, confident pocket; chorus opens up melodic and anthemic with stacked harmonies and a simple sing-rap topline. Sub-bass warm and round, occasional stutter edits on key words to echo the “glitchy past, clean future” theme., glitch, scratch, hip hop

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Sister’s Name Is Shining

country, Warm Southern country ballad with male vocals, brushed snare and upright bass walking easy. Fingerpicked acoustic leads the verses; chorus blooms with fiddle swells, organ pad, and stacked harmonies. Easy back-porch swing, subtle slide guitar fills, and a big sing-along hook by the last chorus., happy

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Sisters In The Shadow

rock, Dusty delta blues fused with moody indie rock; female vocals with a weary, smoky edge. Fingerpicked resonator guitar trades licks with a tremolo-drenched electric; slow, swinging groove anchored by a deep, haunting bassline and brushed snare. Verses stay close and intimate, almost whispered; chorus swells with doubled vocals and ghostly slide fills. Final verse strips back to voice and bass, then the band creeps in for a raw, redemptive outro., blues, indie rock, delta blues

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Gulf Coast Ghosts

rap, Moody hybrid of southern trap and glitchy future bass, eerie detuned bass swells and stuttering vocal chops. Female vocals rap in a close, whispered tone that grows into a raw, melodic hook. Sparse verses over 808-style low end and crispy hats; choruses bloom with wide synth pads, pitch-bent fx, and scratched-in vocal ad-libs. Occasional vinyl-style scratches and reversed hits glue it together, with a hazy, late-night mix., scratch, female vocals, glitch hop

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Lighthouse Through All Storms

folk, Dark folk with eerie male vocals; bowed string drones and detuned acoustic guitar, sparse floor tom and low percussion thuds. Verses stay hushed and intimate, close-mic’d breath; chorus widens with stacked ghostly harmonies and a distant, reverb-soaked fiddle. Slow build to a haunted final chorus, then everything drops to a single guitar and voice that fade like a dying ember.

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Shady Lady Came Home

rap, Gritty West Coast glitch-rap: swung head-nod drums, heavy cold sub bass, stuttered vocal chops, and DJ-style scratches. Verses stay close-mic’d with distorted ad-libs; hook widens with layered female vocals and detuned synth stabs. Drop-outs for a cappella bars, then bass slams back in for maximum impact., hardcore, glitch, west coast rap, scratch

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Last Time We Didn’t Know

rap, Sparse ambient rap over sub-heavy bass and distant pads; kick and bass feel like a slowed heartbeat under echoing piano plucks. Verses spoken-rapped in a weary, intimate tone, with ghostly pitched-back ad-libs. Chorus opens into a washed-out reverb cloud, layered doubles, and a slow, haunting low-end swell that lingers after each phrase., sad, ambient