Nataliya_Romanenko
Thank you for listening to my songs!
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Marble Tango
Tango-pop with sultry bandoneón pulses and a tense, swaying 2/4 groove; verse glides with sparse piano, brushed percussi
1 plays0 likes
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Habib Elbi ( lyrics by Peyman Karami)
Khaligi rhythm Arabic music deep strong male vocals
3 plays0 likes
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Habib Elbi ( lyrics by Peyman Karami)
Khaligi rhythm Arabic music deep strong male vocals
3 plays0 likes
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Mother ( Farsi lyrics by Peyman Karami)
Persian style melodic with bamboo flute and procussion drum with slower gitar background of flamenco style. Male deep
6 plays0 likes
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Glide Up And Down
dance, Upbeat dance-pop with female vocals, bright sidechain synths and a springy bassline. Verses stay tight and teasing over a four-on-the-floor groove; chorus blossoms with stacked harmonies and glittery arps. Middle lift strips to claps and vocal chops before a final, ecstatic chorus.
0 plays0 likes
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Gliding Up And Down
dance, Bright, uptempo electro-pop with a warm, bouncing bass and crisp drums; male vocals riding a tight groove. Verses stay intimate and close-mic'd, pre-chorus adds airy pads and rising synth arps; chorus bursts with stacked harmonies and a hooky topline. Light guitar plucks sprinkle the high end, with a playful breakdown before the final chorus.
0 plays0 likes
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What You See
Soft acoustic ballad with female vocals, gentle nylon guitar arpeggios and light piano. Intimate verses close to the mic; chorus blooms with airy pads, subtle bass, and brushed drums. Warm reverb and stacked harmonies on the hook, tender ad-libs near the end to lift the emotion., warm, world, soft
8 plays0 likes
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Green-Eyed Monster
Moody, icy pop-R&B with snapped claps, glassy synth plucks, sub-bass pulse, and tense half-time drums; female vocals with a sharp, taunting lead, stacked harmonies in the chorus, and a lift into a sly, venomous final refrain, world
1 plays0 likes
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Green-Eyed Monster
Hard-hitting R&B-pop with female vocals, crisp trap-style drums, thick sub bass, and shimmering synth pads. Verses stay tight and conversational, almost spoken, then chorus blooms with layered harmonies and a sharp, sing-along hook. Subtle distorted ad-libs and pitched vocal chops add bite; bridge pulls the music back for a raw, intimate moment before a final, triumphant chorus., world
1 plays0 likes
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What We Shared
Sparse piano and distant pads under intimate female vocals, close-mic’d and breathy. First verse stays almost a cappella; drums slide in soft and low for the first chorus, then build with warm bass and airy backing harmonies. Second chorus swells with stacked vocals and reverbs, ending on a stripped final line over solo piano., outsider
4 plays1 likes
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April, Lead the Way
Warm acoustic pop with female vocals; gentle fingerpicked guitar and soft piano under intimate verses, chorus lifts with subtle drums, airy pads, and stacked harmonies. Dynamics bloom on each “April” hook, then fall back to near-whispered closeness on the lines about acceptance and growing old together., beautiful
0 plays0 likes
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One Fragile Blue World
Wide, cinematic alt-pop with female vocals; gentle piano and airy pads in the verse, then a lifting, pulsing beat in the chorus. Warm bass and subtle guitar swells under soaring, stacked hooks on the title line. Final chorus blooms with choir-like harmonies and shimmering synths, ending on a soft, echoing vocal ad-lib., world
4 plays0 likes
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Many Different Lives
pop, Shimmering pop with female vocals, soft synth pads and clean electric guitar in the verses; kick-snare groove that blooms into a wide, anthemic chorus. Sub-bass and airy plucks lift the hook, with stacked harmonies on the title line. Second half adds tambourine and subtle vocal chops for momentum, ending on a gentle, echoing vocal ad-lib., female vocals
0 plays0 likes
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Onion I Am Peeling
Minimal, intimate indie-pop ballad with female vocals, soft fingerpicked guitar and warm pad swells. Verses speak quietly and close-mic’d; chorus widens with subtle harmonies and a round, pulsing bass. Light percussion creeps in on the second chorus, ending with a gentle, lingering reverb tail on the final line.
3 plays0 likes
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Blood Thicker Than Tap Water
Smoky neo-soul groove with female vocals; dusty Rhodes chords, lazy bassline, tight rimshot kit. Verses stay intimate and close-mic’d, chorus blossoms with stacked harmonies and a subtle gospel-style organ swell. Mid-song lift with light guitar licks and a touch of reverb, then drop back to voice-and-keys for the final hook., female vocals, soul
1 plays0 likes
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Old Money, New Fool
Dark, swaggering trap-soul with male vocals; woozy bells over sparse, heavy low-end, close-mic whisper-rap in the verses, hook opens with airy harmonies and doubled lead, subtle string swells in the bridge for a cold, cinematic edge.
5 plays0 likes
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Old Money Sprinkle
Moody trap-soul groove at midtempo, male vocals. Warm analog keys and subby bass under tight, clicking drums; first verse stays intimate and conversational, then the chorus widens with airy pads and stacked harmonies on the hook. Subtle tuned ad-libs echo key phrases, bridge strips back to keys and bass before final chorus returns bigger with extra vocal layers and a touch of saturation.
0 plays0 likes
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Count Your Clouds
Warm acoustic lullaby, gentle fingerpicked guitar and soft piano swells; female vocals close and whispery. Subtle humming harmonies bloom in the chorus, with a slow cradle-rock tempo that eases into a hushed, sleepy fade on the final line., sleep
0 plays0 likes
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Sweaty First Date
pop, Bright, punchy pop with female vocals; clean electric guitar over a bouncy drum groove, playful bassline, and crisp claps. Verses stay tight and talky, almost conversational; chorus widens with stacked harmonies and a sticky top-line hook. Brief middle-eight drops to half-time with filtered drums, then snaps back into a final, high-energy chorus and a short, sassy outro ad-lib.
2 plays1 likes
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Half a Century Flying
Dreamy electro-pop with female vocals; soft arps and warm pads under the verse, low-key groove with round bass. Chorus lifts with bright synth leads and stacked harmonies, kick opens up for an anthemic feel. Second half adds subtle percussion fills and a soaring counter-melody, final hook strips to vocal and pads for a gentle, lingering outro.
12 plays1 likes
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Half a Century Flying
Dreamy electro-pop with female vocals; soft arps and warm pads under the verse, low-key groove with round bass. Chorus lifts with bright synth leads and stacked harmonies, kick opens up for an anthemic feel. Second half adds subtle percussion fills and a soaring counter-melody, final hook strips to vocal and pads for a gentle, lingering outro.
1 plays1 likes
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Pretty Flipping Rude
pop, Glossy Y2K-tinged bubblegum pop with bright synth stabs, snappy acoustic guitar, and a bouncy four-on-the-floor groove; female vocals with a sassy valley-girl lilt, tight doubles on the hook, and playful gang shouts in the chorus. Pre-chorus pulls the energy down with filtered drums and whispered asides, then chorus explodes with stacked harmonies, claps, and fizzy risers.
5 plays0 likes
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Pretty Flipping Rude
pop, Glossy Y2K-tinged bubblegum pop with bright synth stabs, snappy acoustic guitar, and a bouncy four-on-the-floor groove; female vocals with a sassy valley-girl lilt, tight doubles on the hook, and playful gang shouts in the chorus. Pre-chorus pulls the energy down with filtered drums and whispered asides, then chorus explodes with stacked harmonies, claps, and fizzy risers.
3 plays1 likes
Catalog