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Hey there! I always wanted to create EDM as a kid growing up. Never could afford the equipment or software to follow my dreams. But thanks to Zona I can finally achieve those dreams

17 songs

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Static in My Hair

Future house with a bouncy four-on-the-floor groove, crisp side-chained kick, and elastic offbeat bass; verse stays tight with side plucks, clipped hats, and sparse drum fills, pre-chorus lifts with filtered risers and rising vocal stacks, chorus hits wide with a heavy low-end drop and bright stab chords. Female vocals are close-mic and glossy in verses, doubled and pitched up on hooks, with short delay throws and playful ad-libs. Ear candy includes reverse swells before each drop, shimmering top-line sparkles, and a bass mute before the final chorus. Bright, punchy, polished club mix., female vocals

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Off the rhythm

Future house, club style, hard hitting bass with saw wave like rhythm, bouncy plucks and side pulls, hair tingling tune

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Sawtooth Run

Future house with a rolling four-on-the-floor groove and syncopated offbeat bass; verse stays lean with clipped synth stabs and tight drum pocket, pre-chorus opens into rising filters and vocal chops, chorus drops wide detuned saw stacks with sidechained pulses and a chunky hook. Processed lead vocal with doubled lines, pitch-shifted ad-libs, and short delay throws on the last word. Ear candy: reverse swells into each drop, white-noise risers, and a glitchy fill before the final chorus. Bright, glossy, club-ready mix with hard low-end punch.

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Run It Like Fire

dance, High-octane festival EDM banger, 128 BPM feel. Bright supersaw stack on the drop over thick sidechained bass and punchy four-on-the-floor kick. Verses ride a filtered pluck and rising noise sweeps; pre-chorus strips to vocal and tom build, then an explosive, stuttered-hook drop. Male vocals, wide gang shouts on the chorus for crowd-chant energy., edm

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Dancing With My Demons

Huge festival future house banger, male vocals, bright detuned synth leads over thick sidechained bass and pounding four-on-the-floor kick. Verse starts sparse with filtered chords and distant vocal chops; pre-chorus adds rising white-noise sweeps and stacked claps. Chorus drops into a massive, syncopated bass hook under a shout-along topline and gang vocals on key phrases. Second half of the drop introduces octave synths and chopped vox stabs for extra lift; short reverb tail to keep it punchy and upfront.

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Dancing in the Fire

Glittery future bass with glassy synth leads and sidechained pads, big detuned saw stacks on the drops. Verses float over filtered chords and sparse percussion, then pre-chorus tightens with rising arps and a tension-building snare roll. Chorus hits huge with chopped vocal hooks, subby bass swells, and wide stereo claps; occasional vocoder doubles the male vocals for a robotic-anthem feel.